Search results
Results from the WOW.Com Content Network
The Rebirth of Rape: Tracing Ovidian Rape Motifs with Respect to Bernini's Pluto and Persephone as a Piece of Classical Reception (PDF) (Master of Arts thesis). University of Waterloo. Mormando, Franco (2011). Bernini: His Life and His Rome. Chicago: University of Chicago Press. ISBN 9780226538525. Smith, Sir James Edward (2010) [1793].
The sculpture of the Greek goddess is meant to represent Persephone coming back from the underworld every spring to make the flowers and plants bloom. [2] In Fall 2011 a mural in the Johnson Room in Robertson Hall on the Butler campus was created. The 2,120 square-foot mural depicts notable landmarks at Butler, including Persephone. [3]
Marion Perkins, Man of Sorrows, 1950. Art Institute of Chicago. Marion Marche Perkins (1908 – December 17, 1961) [1] was an American sculptor who taught and exhibited at Chicago's South Side Community Art Center and exhibited at the Art Institute of Chicago. [2]
Zeus also turned himself into a serpent and raped Rhea, which resulted in the birth of Persephone. [56] Afterwards, Rhea became Demeter. [57] Persephone was born so deformed that Rhea ran away from her frightened, and did not breastfeed Persephone. [56] Zeus then mates with Persephone, who gives birth to Dionysus.
Stanisław Szukalski (13 December 1893 – 19 May 1987) was a Polish sculptor and painter who became a part of the Chicago Renaissance. [1] Szukalski's art appears to show influences from ancient cultures, Egypt, Slavs, and Aztecs combined with elements of art nouveau and other currents of early 20th century European modernism - cubism, expressionism, futurism.
A votive plaque known as the Ninnion Tablet depicting elements of the Eleusinian Mysteries, discovered in the sanctuary at Eleusis (mid-4th century BC). The Eleusinian Mysteries (Greek: Ἐλευσίνια Μυστήρια, romanized: Eleusínia Mystḗria) were initiations held every year for the cult of Demeter and Persephone based at the Panhellenic Sanctuary of Eleusis in ancient Greece.
Arion is mentioned as early as in the Iliad of Homer, where he is described as the "swift horse of Adrastus, that was of heavenly stock." [10] A scholiast on this line of the Iliad explains that Arion was the offspring of Poseidon, who in the form of a horse, mated with Fury (Ἐρινύος) by the fountain Tilphousa in Boeotia.
Then Perseus gave the Gorgon's head to Athena, who placed it on her shield, the Aegis. [ 12 ] While ancient Greek vase-painters and relief carvers imagined Medusa and her sisters as having monstrous form, sculptors and vase-painters of the fifth century BC began to envisage her as being beautiful as well as terrifying.