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View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph. [1] Original (left) and colorized reoriented enhancement (right).. The history of photography began with the discovery of two critical principles: The first is camera obscura image projection; the second is the discovery that some substances are visibly altered by exposure to light. [2]
Synonymous with art photography". [22] "Art photography": A definition "is elusive," but "when photographers refer to it, they have in mind the photographs seen in magazines such as American Photo, Popular Photography, and Print, and in salons and exhibitions. Art (or artful) photography is salable.". [23]
The Photo History Timeline Collection; In the eye of the camera — Illustrated historical essay about early photography; Lippmann's and Gabor's Revolutionary Approach to Imaging; The Digital Camera Museum with accurate history section and many rare items Archived 2017-02-16 at the Wayback Machine; The Fascinating Timeline of Photography Technology
Neues Sehen considered photography to be an autonomous artistic practice with its own laws of composition and lighting, through which the lens of the camera becomes a second eye for looking at the world. This way of seeing was based on the use of unexpected framings, the search for contrast in form and light, the use of high and low camera ...
Advertisement for the Photo-Secession and the Little Galleries of the Photo-Secession, designed by Edward Steichen.Published in Camera Work no. 13, 1906. The Photo-Secession was an early 20th century movement that promoted photography as a fine art in general and photographic pictorialism in particular.
Artists of The West Coast Photographic Movement embraced and developed straight photography in the 1930s. In his autobiography, Ansel Adams [1] used the terms straight photography and pure photography. He describes pure photography as, "... defined as possessing no qualities of technique, composition or idea, derivative of any other art form".
The term vernacular photography is used in several related senses. Each is in one way or another meant to contrast with received notions of fine-art photography. [1] [2] Vernacular photography is also distinct from both found photography and amateur photography. The term originated among academics and curators, but has moved into wider usage.
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it.