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Rules: Pyaar Ka Superhit Formula "Uljhano Ko De Diya" Sandesh Shandilya: Subrat Sinha, R.N. Dubey Sanjivani [106] Saaya "Kabhi Khushboo" Anu Malik Sayeed Quadri [107] Stumped "Sona Chandi" Pritam Anil Bhardwaj [108] "Aise Hi Bada Hua Gavaskar" Gaurav Pandey: Shaan, Aanjjan Srivastav [109] "Humko Toh Hai Poora Yakeen" Pritam: Abbas Tyrewala
Ab Ke To Sawan Mein "Title Song" Arpitha Nath, Dilip Dutta: Deepak Sneh, Dil Nasheen "Tum Dil Nasheen" Solo: Asheem Mangoli: Asheem Mangoli & Guncharan Singh Suno Apne Dil Ki "Suno Apne Dil Ki" Solo: D.J Sheizwood: DJ Sheizwood Jeevan Ka Maqsad "Title Song" Solo: Dr.Amit Kamle: Dr.Amit Kamle Seene Se Lag Ke "Title Song" Alka Yagnik: Raj Sen ...
The following is an incomplete list of the songs known to have been recorded and/or performed by Suman Kalyanpur in Hindi languages. Majority of these songs have featured in Hindi movies. Many of her old songs have featured in various new films (Hollywood or Indian films) & have also been credited. But such songs, unless re-recorded, are not ...
Dooj Ka Chaand Roshan (music director) Manna Dey: Hindi: Bhairavi: Albeli Naar Pritam Dwar Main Shadi Karne Chala(1962 Film) Chitragupt (composer) Manna Dey: Hindi: Bhairavi: O Gauri Tori Banki Aadi Raat Ke Baad Chitragupt (composer) Manna Dey: Hindi: Bhairavi: Sajna, Sajna Kahe Bhul Gaye Din Pyar Ke Chand Mere Aja Chitragupt (composer) Lata ...
Kalyan is an Indian choreographer who has primarily worked on Tamil and Telugu language films as well as Hindi, Malayalam and Kannada films. After beginning his career as a dancer and actor, he has gone on to choreograph songs in over two hundred films as a popular choreographer.
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Hasino Ke Chakkar Me Padna Nahi" Ravindra Jain: Kishore Kumar Phool Aur Insan "Mujhe Pyar Hai Tumse" Surinder Kohli Arsh Dalawari Meenakshi 1977 Duniyadari "Teen Baaje Bola Tha, Baaj Gaye Chaat" Shankar–Jaikishan M G Hashmat Asha Bhosle Ek Hi Rasta "Dil Ko Mila Lo, Dil Ko Takra Lo" Rajesh Roshan Verma Malik Parvarish "Bandh Aankh Se Dekh Tamasha"
Yaman's Jati is a Sampurna raga (ideally, yaman is audav sampoorna raag because of the structure- N,RGmDNR'S' NDPmGRS) and in some cases Shadav; the ascending Aaroha scale and the descending style of the avroha includes all seven notes in the octave (When it is audav, the Aroha goes like N,RGmDNS', where the fifth note is omitted; Pa but the Avaroha is the same complete octave).