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Hepplewhite produced designs that were slender, more curvilinear in shape and well balanced. There are some characteristics that hint at a Hepplewhite design, such as shorter more curved chair arms, straight legs, shield-shape chair backs, all without carving. The design would receive ornamentation from paint and inlays used on the piece.
The book was first published in 1788 by Alice Hepplewhite, the widow of the furniture-maker George Hepplewhite. [1] She is referenced on the title page of the first edition as "A. Hepplewhite and co." The subtitle on the original edition is Repository of Designs for Every Article of Household Furniture, in the Newest and Most Approved Taste ...
A Sheraton style chair with rectangular back. Sheraton is a late 18th-century Neoclassical English furniture style, in vogue c. 1785–1820, that was coined by 19th-century collectors and dealers to credit furniture designer Thomas Sheraton, whose books, The Cabinet Dictionary (1803) of engraved designs and the Cabinet Maker's & Upholsterer's Drawing Book (1791) of furniture patterns exemplify ...
This form of desk is supposed to have been designed in the 18th century for the Prince of Wales (who later became George IV) by George Hepplewhite. It is named after Carlton House, which was at the time the London residence of the Prince, and sometimes is also known as a Carlton House writing table. A richly decorated Carlton House desk
The following year Ince and Mayhew contributed some furniture designs to the joint production Household Furniture in Genteel Taste for the year 1760. By a Society of Upholsterers. Their designs helped to build the bridge between the massive and often florid style of Chippendale and the more slender and balanced forms of George Hepplewhite. [7]
Thomas Sheraton (1751 – 22 October 1806) [1] was a furniture designer, one of the "big three" English furniture makers of the 18th century, along with Thomas Chippendale and George Hepplewhite. [2] Sheraton gave his name to a style of furniture characterized by a feminine refinement of late Georgian styles [ 1 ] and became the most powerful ...
Before the advent of industrial design, cabinet makers were responsible for the conception and the production of any piece of furniture. In the last half of the 18th century, cabinet makers, such as Thomas Sheraton, Thomas Chippendale, Shaver and Wormley Brothers Cabinet Constructors, and George Hepplewhite, also published books of furniture forms.
The Gillow pattern book was never published, while Thomas Chippendale's published his pattern book in 1754, Hepplewhite (posthumously) in 1788 and Sheraton in 1791; [22] Gillows would supply pieces in any of these styles. The archive includes their sketches and detailed estimates written in a phonetic north country English.
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