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Psalm 141 is the 141st psalm of the Book of Psalms, a book of the Hebrew Bible and the Christian biblical canon, that begins in English in the King James Version: "LORD, I cry unto thee: make haste unto me". In the slightly different numbering system used in the Greek Septuagint version of the Bible, and the Latin Vulgate, this psalm is Psalm ...
In 1995, the Lockman Foundation reissued the NASB text as the NASB Updated Edition (more commonly, the Updated NASB or NASB95). Since then, it has become widely known as simply the "NASB", supplanting the 1977 text in current printings, save for a few (Thompson Chain Reference Bibles, Open Bibles, Key Word Study Bibles, et al.).
Psalm 142 is the 142nd psalm of the Book of Psalms, beginning in English in the King James Version: "I cried unto the LORD with my voice." In the slightly different numbering system used in the Greek Septuagint version of the Bible, and the Latin Vulgate, this psalm is Psalm 141. In Latin, it is known as "Voce mea ad Dominum clamavi". [1]
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The New Testament contains passages that quote verses from these Psalms which are not imprecatory in nature. Jesus is shown quoting from them in John 2:17 and John 15:25, while Paul the Apostle quotes from Psalm 69 in the Epistle to the Romans 11:9-10 and 15:3.
One of the Songs of Ascents, Psalm 122 appears in Hebrew on the walls at the entrance to the City of David, Jerusalem.. Song of Ascents is a title given to fifteen of the Psalms, 120–134 (119–133 in the Septuagint and the Vulgate), each starting with the superscription "Shir Hama'aloth" (Hebrew: שיר המעלות, romanized: šir ham-ma‘loṯ, lit.
Midrash Tehillim (Hebrew: מדרש תהלים), also known as Midrash Psalms or Midrash Shocher Tov, is an aggadic midrash to the Psalms. Midrash Tehillim can be divided into two parts: the first covering Psalms 1–118, the second covering 119–150.
Miktam or Michtam (Hebrew: מִכְתָּם) is a word of unknown meaning found in the headings of Psalms 16 and 56–60 in the Hebrew Bible. [1] These six Psalms, and many others, are associated with King David, but this tradition is more likely to be sentimental than historical. [2]