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" Ach Gott, vom Himmel sieh darein" ("Oh God, look down from heaven") is a Lutheran chorale of 1524, with words written by Martin Luther paraphrasing Psalm 12. It was published as one of eight songs in 1524 in the first Lutheran hymnal , the Achtliederbuch, which contained four songs by Luther, three by Speratus , and one by Justus Jonas .
" Was mein Gott will, das g'scheh allzeit" (What my God wants should always happen) is a Lutheran hymn in German. The text from c. 1550 is attributed to Albert, Duke of Prussia . The melody, Zahn No. 7568, [ 1 ] goes back to a tune by Claudin de Sermisy , written in 1529 for a secular French song.
Ach Gott, vom Himmel sieh darein (Oh God, look down from heaven), [1] BWV 2, is a chorale cantata composed by Johann Sebastian Bach for the second Sunday after Trinity in 1724. First performed on 18 June in Leipzig , it is the second cantata of his chorale cantata cycle .
Was mein Gott will, das g'scheh allzeit (What my God wants, may it always happen), [1] BWV 111, is a cantata by Johann Sebastian Bach for use in a Lutheran service. He composed the chorale cantata in Leipzig in 1725 for the third Sunday after Epiphany and first performed it on 21 January 1725, as part of his chorale cantata cycle .
Schau, lieber Gott, wie meine Feind (See, dear God, how my enemies), [1] BWV 153, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the Sunday after New Year's Day and first performed it on 2 January 1724.
Ach Gott, wie manches Herzeleid, BWV 3 (chorale cantata, 14 January 1725) Meine Seufzer, meine Tränen, BWV 13 (20 January 1726) Wilhelm Friedemann Bach Wir sind Gottes Werke, BR F 6 (incomplete, BDW 09782) Carl Friedrich Christian Fasch and Carl Philipp Emanuel Bach: Harre auf Gott (C. P. E. Bach 's expansion of a 3-movement cantata by Fasch ...
In one of the Erfurt Enchiridia it is associated with the melody of Ach Gott, vom Himmel sieh darein ". [6] Since, the text has been associated with two further tunes. The tune (Zahn No. 4437 [7]) appeared in Eyn geystlich Gesangk Buchleyn, a collection by Johann Walter, prepared with the collaboration of Luther. In the collection the hymn ...
The first movement, "Ach Gott, wie manches Herzeleid" (Ah, God, how much heartache), [13] is a chorale fantasia, with the soprano, representing the Soul, singing the cantus firmus, reinforced by the taille, while the bass as the vox Christi (voice of Christ) delivers original verse in counterpoint to the melody. [1]