Search results
Results from the WOW.Com Content Network
In the 1912 edition of Aesop's Fables, Arthur Rackham chose to picture the carefree frogs at play on their King Log, a much rarer subject among illustrators. [13] But the French artist Benjamin Rabier, having already illustrated a collection of La Fontaine's fables, subverted the whole subject in a later picture, Le Toboggan ('The sleigh-run ...
The Fisherman and his Flute appears among Aesop's Fables and is numbered 11 in the Perry Index. [1] Wide variations on the theme have existed over the centuries. The fable and its analogues
The Fisherman and the Little Fish; The Fly and the Ant; The Fly in the Soup; The Fowler and the Snake; The Fox and the Crow; The Fox and the Grapes; The Fox and the Lion; The Fox and the Mask; The Fox and the Sick Lion; The Fox and the Stork; The Fox and the Weasel; The Fox and the Woodman; The Fox, the Flies and the Hedgehog; The Frightened ...
A frog leaves his native swamp and proclaims himself a wonder-working doctor. He is then asked by a sceptical fox how it is that he cannot cure his own lameness and sickly complexion. The fox's taunt echoes the Greek proverb, " Physician, heal thyself ", which was current in Aesop's time (and was later quoted in the Christian scriptures).
Aesop's Fables (previously titled Aesop's Film Fables and Aesop's Sound Fables) is a series of animated short subjects, created by American cartoonist Paul Terry. [1] Produced from 1921 to 1934, the series includes The Window Washers (1925), Scrambled Eggs (1926), Small Town Sheriff (1927), Dinner Time (1928), and Gypped in Egypt (1930).
Most of the fables in Hecatomythium were later translated in the second half of Roger L'Estrange's Fables of Aesop and other eminent mythologists (1692); [17] some also appeared among the 102 in H. Clarke's Latin reader, Select fables of Aesop: with an English translation (1787), of which there were both English and American editions. [18]
Edward Hughes, as the third in his ten Songs from Aesop's Fables for children's voices and piano (1965), in a version by Peter Westmore; Andre Asriel, Der Frosch und der Ochse, the second in his 6 Fabeln nach Aesop for mixed a cappella voices (1972) [21] Isabelle Aboulker among the seven in her children's operetta La Fontaine et le Corbeau ...
Hares are proverbially timid and a number of fables have been based on this behaviour. The best known, often titled "The Hares and the Frogs", appears among Aesop's Fables and is numbered 138 in the Perry Index. [1] As well as having an Asian analogue, there have been variant versions over the centuries.