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The exact origin of preaching chords being played in African American Baptist and Pentecostal churches is relatively unknown, but is mostly believed to have started in either the early or mid-20th Century, at a time when many African-American clergymen and pastors began preaching in a charismatic, musical call-and-response style. [3]
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The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Billie Joe Armstrong – lead vocals, rhythm and lead guitar, harmonica; Mike Dirnt – bass, backing vocals; Tré Cool – drums, percussion, backing vocals on "King for a Day/Shout" Additional musicians. Jason White – lead and rhythm guitar, backing vocals; Jason Freese – keyboards, piano, acoustic guitar, trombone, saxophone, accordion ...
"Johnny Guitar" is a song written by Peggy Lee (lyrics) and Victor Young (music) and was the title track of the 1954 film of the same name, directed by Nicholas Ray and starring Joan Crawford. The music loosely echoes several themes from Spanish Dance No. 5: Andaluza by Enrique Granados , which was written for piano, but is often played on ...
The Fastest Guitar Alive is a 1967 American musical comedy Western film directed by Michael D. Moore and starring singer Roy Orbison in his only acting role. The film features Orbison performing seven original songs, which appeared on his 1967 MGM album of the same name.
Vallejo-native H.E.R. joined headliner Usher and other musicians like Alicia Keys on Sunday during the halftime show at the Super Bowl between the Kansas City Chiefs and the San Francisco 49ers.
Invitation" is a song by Bronisław Kaper with lyrics by Paul Francis Webster, which originally appeared in the film A Life of Her Own (1950). Although it was nominated for a Golden Globe award for Best Score in the original film, it only became a jazz standard after being used as the theme in the 1952 film Invitation . [ 1 ]