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The single species is Aetoxylon sympetalum, [2] commonly known as gaharu buaya or crocodile eaglewood. [3] Aetoxylon sympetalum grows as a tree up to 40 metres (130 ft) tall, with a trunk diameter of up to 60 centimetres (24 in). Bark is dark brown to black. Fruit is reddish brown, up to 5 centimetres (2.0 in) in diameter.
The plantation has over 200,000 trees of a special hybrid Aquilaria spp species which is critically endangered in the wild which spreads over an area of 120 hectares. [1] [2] Gaharu is the local Malay name for this tree better known as Agarwood, Aloes or Eagleswood to the world.
These chords are all borrowed from the key of E minor. Similarly, in minor keys, chords from the parallel major may also be "borrowed". For example, in E minor, the diatonic chord built on the fourth scale degree is IVm, or A minor. However, in practice, many songs in E minor will use IV (A major), which is borrowed from the key of E major.
"Untuk Negeri Kita" (Jawi: اونتوق نڬري كيت , pronounced [untuʔ nəgəri kita]; "For Our State") is the state anthem of the Malaysian state of Penang.It was composed by the late Second Lieutenant Awaluddin Zainal Alam who submitted it to a competition made for selecting the state anthem.
A chord is inverted when the bass note is not the root note. Additional chords can be generated with drop-2 (or drop-3) voicing, which are discussed for standard tuning's implementation of dominant seventh chords (below). Johnny Marr is known for providing harmony by playing arpeggiated chords.
The chord a minor third above, ♭ VII 7, may be substituted for the dominant, and may be preceded by its ii: iv 7. [16] Due to common use the two chords of the backdoor progression (IV 7-♭ VII 7) may be substituted for the dominant chord. [11] In C major the dominant would be G7: GBDF, sharing two common tones with B ♭ 7: B ♭ DFA ♭.
In music theory, a tetrachord (Greek: τετράχορδoν; Latin: tetrachordum) is a series of four notes separated by three intervals.In traditional music theory, a tetrachord always spanned the interval of a perfect fourth, a 4:3 frequency proportion (approx. 498 cents)—but in modern use it means any four-note segment of a scale or tone row, not necessarily related to a particular tuning ...
A cadential subdominant chord followed by a tonic chord produces the so-called plagal cadence. As with other chords which often precede the dominant, subdominant chords typically have predominant function. In Riemannian theory, it is considered to balance the dominant around the tonic (being as far below the tonic as the dominant is above).