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"Satu Malaysia" ("One Malaysia") - by Siti Nurhaliza "Budi Bahasa Budaya Kita" - by Siti Nurhaliza "Hati" - by Siti Nurhaliza from the film 1957 Hati Malaya "Berkorban Apa Sahaja" ("Do Anything") - by P. Ramlee from the film Hang Tuah "Perwira" ("Super") - by Saloma "Zapin Malaysia" - by P. Ramlee and Saloma "Joget Malaysia" - by P. Ramlee and ...
"Untuk Negeri Kita" (Jawi: اونتوق نڬري كيت , pronounced [untuʔ nəgəri kita]; "For Our State") is the state anthem of the Malaysian state of Penang.It was composed by the late Second Lieutenant Awaluddin Zainal Alam who submitted it to a competition made for selecting the state anthem.
125 Lagu Wajib Nasional. Titik Media Publisher. ISMN 9790801890009. Kirana, Dilla Chandra (2015). 120 Koleksi Lagu Wajib Nasional INDONESIA. Lembar Langit Indonesia. Sugesti, Murlina (2014). Koleksi Terlengkap Lagu Wajib Nasional. Lembar Langit Indonesia. ISBN 9780901388728. Abassy, Djamaludin (2011). Lagu-Lagu Wajib Nasional. Lembar Langit ...
"Allah Lanjutkan Usia Sultan" (pronounced [allah landʒutkan usia sultan]; "God Lengthen the Sultan's Age") is the state anthem of Perak, Malaysia.. The tune was originally that of "La Rosalie", a popular song in the Seychelles during the 19th century, originally written by French composer Pierre-Jean de Béranger.
Maju dan Sejahtera (Progress and Prosper) is the official anthem of the Federal Territories of Malaysia. The anthem was adopted on 12 August 2006. The anthem was adopted on 12 August 2006. On 28 January 2011, the new anthem and lyrics for the Federal Territories were launched.
Ibu Pertiwiku (Jawi: ايبو ڤرتيويکو ; English: My Motherland) is the official state anthem of Sarawak, Malaysia.The song was adopted in 1988, alongside the adoption of the new State Flag as well, in conjunction with the 25th anniversary of Sarawak's Independence within Malaysia.
"Negaraku" (Jawi: نݢاراکو , pronounced; English: "My Country") is the national anthem of Malaysia. It was adopted as the national anthem at the time of the Federation of Malaya's independence from the United Kingdom in 1957.
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in