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The song was released in Europe in 1985 in its original, German-language version. For the international markets (United States, UK, Japan, etc.), several different single and extended mixes were produced by Rob Bolland; none of them were solely an English-language version, but the international single versions reduced the German lyrics.
The Sound of Music: Betty Comden and Adolph Green [46] [47] 1944–2002 On the Town (with Leonard Bernstein) Wonderful Town (with Leonard Bernstein) Bells Are Ringing (with Jule Styne) Kander and Ebb [48] [49] John Kander (music) Fred Ebb (lyrics) 1965–2010 Cabaret Chicago Kiss of the Spider Woman: Andrew Lloyd Webber (music) and Tim Rice ...
Wolfgang Amadeus Mozart The song's lyrics repeatedly invoke the help of Mozart in regaining the singer's lost love. In the refrain, the singer expresses her wish to have the "magic flute's magic" ("trollflöjtens magi"), a reference to Mozart's opera The Magic Flute (The opera's title in Swedish is Trollflöjten .)
As a reaction, Falco began to experiment with English lyrics in an effort to broaden his appeal. He parted ways with Ponger and chose a new production team: the brothers Rob and Ferdi Bolland from the Netherlands. [7] Falco recorded "Rock Me Amadeus", inspired in part by the Oscar-winning film Amadeus, and the song became a worldwide hit in ...
Stock's 1789 miniature of Mozart " Liebes Manndel, wo ist's Bandel?" ("Dearest husband, where's my hatband?"), otherwise known as "Das Bandel" is a terzet (song for three voices) with string accompaniment composed by Wolfgang Amadeus Mozart, K. 441, with lyrics in the Viennese dialect.
" Leck mich im Arsch" (German for "Lick me in the arse") is a canon in B-flat major composed by Wolfgang Amadeus Mozart, K. 231 (K. 382c), with lyrics in German. It was one of a set of at least six canons probably written in Vienna in 1782. [ 1 ]
The template {{Music sample info}} can help with this. This is not a replacement for {{Non-free use rationale audio sample}}. There should be only one sample per song recording, even if several users produce samples. If a new sample is uploaded, the old one must be deleted. In the case of a multi-section/movement work, such as a symphony or ...
Goethe wrote the poem in 1773 or early 1774. It was first published [citation needed] in March 1775 in his first Singspiel Erwin und Elmire which was first set to music in 1775 by the German composer Johann André (a revival in 1776 used music by Anna Amalia of Brunswick-Wolfenbüttel and by Carl David Stegmann, and another 1785 had music by Ernst Wilhelm Wolf and Karl Christian Agthe).