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The Thirty-Six Dramatic Situations is a descriptive list which was first proposed by Georges Polti in 1895 to categorize every dramatic situation that might occur in a story or performance. [1] Polti analyzed classical Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors.
The earliest ancestor of the teen sitcom was Meet Corliss Archer, a TV adaptation of a popular radio show about a teenage girl which aired briefly in syndication in 1954. The first teen sitcom on a major network was The Many Loves of Dobie Gillis, a 1959–1963 CBS sitcom based on collegiate short stories by humorist Max Shulman.
Teen dramas are dramatic television series with a major focus on teenage characters. Some shows on this list are also comedy-dramas . This is a dynamic list and may never be able to satisfy particular standards for completeness.
We should all be skeptical that the same government that can't balance a budget can revamp the dominant form of modern communications and boost young people's self-esteem.
The characters in sentimental comedy are either strictly good or bad. Heroes have no faults or bad habits, villains are thoroughly evil or morally degraded. [2] The authors' purpose was to show the audience the innate goodness of people and that through morality people who have been led astray can find the path of righteousness.
Another central aspect of melodrama is the concept of "situation", which introduces moments of narrative stasis or dramatic tension where characters confront life-altering events or dilemmas, like moral or emotional impasses, creating suspense and engaging the audience through the anticipation of resolution or escape from peril. [26]
The easier it is for the protagonist to triumph, the less value there is in the drama. In internal and external conflict alike, the antagonist must act upon the protagonist and must seem at first to overmatch them. For example, in William Faulkner's The Bear, nature might be the antagonist. Even though it is an abstraction, natural creatures ...
The dramatistic pentad forms the core structure of dramatism, a method for examining motivations that the renowned literary critic Kenneth Burke developed. Dramatism recommends the use of a metalinguistic approach to stories about human action that investigates the roles and uses of five rhetorical elements common to all narratives, each of which is related to a question.