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This is an example of something the Taiwanese have drawn, on scale, from contemporary Japanese culture. Pachinko is another example. During typhoons, many young Taiwanese will spend the day singing karaoke or playing mahjong. Many people enjoy watching miniseries collectively called Taiwanese drama.
An elevator in Taiwan that is missing a button for the fourth floor of a building. Within science and technology-related industries in Taiwan, it is believed that placing coconut butter-flavored Kuai Kuai branded snacks in contact with machines will help them run without errors, as the Chinese character 乖; guāi, means obedient. The coconut ...
The recorded history of Taiwanese culture mainly stemmed from traditional Chinese culture, despite the influences from other foreign powers. Although the culture of modern Taiwan is significantly affected by Japanese and American cultures, the values and traditions of the Taiwanese people are heavily based on Confucianist Han cultures. [2]
The naming customs of Indigenous Taiwanese are distinct from, though influenced by, the majority Han Chinese culture of Taiwan. Prior to contact with Han Chinese, the Indigenous Taiwanese named themselves according to each tribe's tradition. The naming system varies greatly depending on the particular tribes.
Many of these forms of assimilation are still at work today. For example, when a central authority nationalizes one language, that attaches economic and social advantages to the prestige language. As generations pass, use of the indigenous language often fades or disappears, and linguistic and cultural identity recede as well.
With the human body as its primary medium of expression, dance is inextricably linked to the activities of different ethnic groups. Influenced by Taiwan's geographical location and historical background, the establishment and evolution of dance forms are closely connected to the political, economic, social, and cultural factors in every period. [2]
For instance, the Taiwanese Cultural Association was established in 1921 by Lin Hsien-tang, Chiang Wei-shui, Tsai Pei-huo, Wang Min-chuan and others in the hope to change ideological concepts in the society and culture at the time as well as to reform unpleasant social customs and elevate the cultural standards of the general public through ...
The religious traditions of the Austronesian people focus mostly on ancestral spirits, nature spirits, and gods, making it a complex animistic religion. Mythologies vary by culture and geographical location but share common basic aspects, such as ancestor worship, animism, shamanism, and the belief in a spirit world and powerful deities. [247]