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A woman who performs the duties of a best boy may be called a best girl. In a film crew, an assistant to either of two department heads: the gaffer or the key grip (with the assistant sometimes referred to as the best boy electric or best boy grip, respectively). [17] The best boy acts as the foreman for his department. [18] billing bird's eye ...
In television, a regular, main or ongoing character is a character who appears in all or a majority of episodes, or in a significant chain of episodes of the series. [22] Regular characters may be both core and secondary ones. A recurring character or supporting character often and frequently appears from time to time during the series' run. [23]
The character, usually an unhappy outsider, but always dissatisfied, observes and comments on the action, and is sometimes metafictionally aware that they are in a play. Bosola in Webster's The Duchess of Malfi , Vindice in Middleton's The Revenger's Tragedy , Malevole in Marston's The Malcontent , and Hamlet in Shakespeare's Hamlet .
The term characterization was introduced in the 19th century. [3] Aristotle promoted the primacy of plot over characters, that is, a plot-driven narrative, arguing in his Poetics that tragedy "is a representation, not of men, but of action and life."
Don Quixote and his sidekick Sancho Panza, as illustrated by Gustave Doré: the characters' contrasting qualities [1] are reflected here even in their physical appearances. In any narrative, a foil is a character who contrasts with another character, typically, a character who contrasts with the protagonist, in order to better highlight or differentiate certain qualities of the protagonist.
Flanderization is a widespread phenomenon in serialized fiction. In its originating show of The Simpsons, it has been discussed both in the context of Ned Flanders and as relating to other characters; Lisa Simpson has been discussed as a classic example of the phenomenon, having, debatably, been even more Flanderized than Flanders himself. [9]
The protagonist in these works is an indecisive central character who drifts through his life and is marked by boredom, angst, and alienation. [ 25 ] The antihero entered American literature in the 1950s and up to the mid-1960s as an alienated figure, unable to communicate. [ 26 ]
AFI's 100 Years... 100 Heroes & Villains is a list of the one hundred greatest screen characters (fifty each in the hero and villain categories) as chosen by the American Film Institute in June 2003.