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Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
The Trinity depicts the three angels who visited Abraham at the Oak of Mamre (Genesis 18:1–8), but the painting is full of symbolism and is interpreted as an icon of the Holy Trinity. At the time of Rublev, the Holy Trinity was the embodiment of spiritual unity, peace, harmony, mutual love and humility. [6]
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From the 15th century in the Netherlands onwards, it was more usual to show the non-Biblical subject of the Holy Family resting on the journey, the Rest on the Flight to Egypt, often accompanied by angels, and in earlier images sometimes an older boy who may represent, James the Brother of the Lord, interpreted as a son of Joseph, by a previous ...
Holy Trinity (c. 1505–1521) by Raphael and Perugino. Holy Trinity is a fresco in San Severo chapel in San Severo church in Perugia, executed by Raphael and Perugino.. A commission from bishop Troilo Baglioni, the upper register was painted around 1505 by Raphael, showing the Holy Trinity surrounded by saints and angels.
A mosaic scene of the Crucifixion of Christ at Holy Trinity-St. Nicholas Greek Orthodox Church. ... covered with iconographic images. In some cases, the icons – which depict all manner of saints ...
In this type of icon, Jesus Christ is depicted as an old white-haired man. The basis of this iconography is consubstantiality - the doctrine that Jesus and the Father are one. This very image of God the Father is used in New Testament Trinity icons; until the Great Synod of Moscow in 1667 it was a matter of theological debate whether the ...
At the top is an image of the Holy Trinity next to the Virgin Mary and Saint John the Baptist. The painting also features King David, Moses and Noah, along with a figure in green identified as Mary Magdalene, the Erythraean Sibyl, Judith, Rachel or the Catholic Church. Charles took it to the Monastery of Yuste on his retirement there.