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Asha (/ ˈ ʌ ʃ ə /) or arta (/ ˈ ɑːr t ə /; Avestan: 𐬀𐬴𐬀 Aṣ̌a / Arta) is a Zoroastrian concept with a complex and highly nuanced range of meaning. It is commonly summarized in accord with its contextual implications of 'truth' and 'right' (or 'righteousness'), 'order' and 'right working'.
The Ashem vohu is overall the shortest of the four Gathic manthras. It is dedicated to asha, a central concept of Zoroastrianism. It consists of only twelve words which are arranged in an alliterative fashion. This may have helped ordinary people to more easily remember it. [5]
Zoroastrian music is a genre of religious music that accompanies religious and traditional rites among the Zoroastrian people. Although certain ancient Zoroastrian traditions show a negative approach towards Zoroastrian melodies such as the pre-Islamic pastorals and minstrels, Zoroastrian music has been in the religion since it was founded.
For these, asha was the course of everything observable—the motion of the planets and astral bodies; the progression of the seasons; and the pattern of daily nomadic herdsman life, governed by regular metronomic events such as sunrise and sunset, and was strengthened through truth-telling and following the Threefold Path. [45]
Atar is already evident in the Gathas, the oldest texts of the compendium of the Avesta and believed to have been composed by Zoroaster himself. At this juncture, as in the Yasna Haptanghaiti (the seven-chapter Yasna that structurally interrupts the Gathas and is linguistically as old as the Gathas themselves), atar is still—with only one exception—an abstract concept simply an instrument ...
In Zoroastrianism any mortal may strive to possess aša, but in the Vedas, ṛtá is hidden from ordinary mortals and only initiated seers are allowed to possess it (become ṛtā́vans). [4] That the souls of the dead dwell in the radiant quarters of Asha (Yasna 16.7) has a Vedic parallel in which the seat of truth is located in the other ...
These saviours are those who follow Ahura Mazda's teaching "with acts inspired by asha" (Yasna 48.12). Saoshyant first appears as a proper name in the Younger Avesta, [ 5 ] explicitly so in Yasht 13.129 where it is used in the singular and where Astvat-ereta develops into an alternate name of the Saoshyant.
Even though it is speculated that Ahura Mazda was a spirit in the Indo-Iranian religion, he had not yet been given the title of "uncreated spirit". This title was given by Zoroaster, who proclaimed Ahura Mazda as the uncreated spirit, wholly wise, benevolent, and sound, as well as the creator and upholder of Asha.