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In Judaism, bible hermeneutics notably uses midrash, a Jewish method of interpreting the Hebrew Bible and the rules which structure the Jewish laws. [1] The early allegorizing trait in the interpretation of the Hebrew Bible figures prominently in the massive oeuvre of a prominent Hellenized Jew of Alexandria, Philo Judaeus, whose allegorical reading of the Septuagint synthesized the ...
Catholics use images, such as the crucifix, the cross, in religious life and pray using depictions of saints. They also venerate images and liturgical objects by kissing, bowing, and making the sign of the cross. They point to the Old Testament patterns of worship followed by the Hebrew people as examples of how certain places and things used ...
The word acheropite comes from the Greek ἀχειροποίητος, meaning "not created by human hands", and the term was first applied to the Turin Shroud and the Veil of Veronica. Later, the term came to apply more generally to simulacra of a religious or spiritual nature occurring in natural phenomena, particularly those seen by believers ...
Open-mindedness is receptiveness to new ideas. Open-mindedness relates to the way in which people approach the views and knowledge of others. [1] Jason Baehr defines an open-minded person as one who "characteristically moves beyond or temporarily sets aside his own doxastic commitments in order to give a fair and impartial hearing to the intellectual opposition". [2]
However the more ancient explanation of the dove as a Christian symbol refers to it as a symbol of Christ himself: Irenaeus [20] in the 2nd century explains that the number 801 is both the numerological value of the sum in Greek of the letters of the word "dove" (Greek: περιστερά) and the sum of the values of the letters Alpha and ...
Allegorical interpretation of the Bible is an interpretive method that assumes that the Bible has various levels of meaning and tends to focus on the spiritual sense, which includes the allegorical sense, the moral (or tropological) sense, and the anagogical sense, as opposed to the literal sense.
The meanings accruing to the symbols grew over centuries, with an early formulation by Jerome, [6] and were fully expressed by Rabanus Maurus, who set out three layers of meaning for the beasts: representing first the Evangelists, second the nature of Christ, and third the virtues required of a Christian for salvation. [7]
The Greek word τρόπος had already been borrowed into Classical Latin as tropus, meaning 'figure of speech', and the Latinised form of τροπολογία, tropologia, is found already in the fourth-century writing of Jerome in the sense 'figurative language', and by the fifth century in sense 'moral interpretation'.
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