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  2. Guitar chord - Wikipedia

    en.wikipedia.org/wiki/Guitar_chord

    These basic chords arise in chord-triples that are conventional in Western music, triples that are called three-chord progressions. After each type of chord is introduced, its role in three-chord progressions is noted. Intermediate discussions of chords derive both chords and their progressions simultaneously from the harmonization of scales ...

  3. Tablature - Wikipedia

    en.wikipedia.org/wiki/Tablature

    For chords, it was common to just play three or two holes instead (sometimes even just one), especially when the instrument is not of the same key. For example, in the blues progression in G (G G G G7 C C G G D7 D7 G G) it is common to use a C diatonic instrument, and notate the following: G chord (G-B-D): 34i (BD) G7 chord (G-B–D-F): 45i (DF).

  4. ChordPro - Wikipedia

    en.wikipedia.org/wiki/ChordPro

    The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...

  5. Nashville Number System - Wikipedia

    en.wikipedia.org/wiki/Nashville_Number_System

    Other chord qualities such as major sevenths, suspended chords, and dominant sevenths use familiar symbols: 4 Δ 7 5 sus 5 7 1 would stand for F Δ 7 G sus G 7 C in the key of C, or E ♭ Δ 7 F sus F 7 B ♭ in the key of B ♭. A 2 means "add 2" or "add 9". Chord inversions and chords with other altered bass notes are notated analogously to ...

  6. Quartal and quintal harmony - Wikipedia

    en.wikipedia.org/wiki/Quartal_and_quintal_harmony

    The terms quartal and quintal imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the common practice period are guided by tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds.

  7. Quarter to Three - Wikipedia

    en.wikipedia.org/wiki/Quarter_to_Three

    "Quarter to Three" is a popular song, adapted and expanded from "A Night with Daddy 'G' – Part 1" (Legrand LEG 1004), an instrumental by the Church Street Five, which was written by Gene Barge, Frank Guida and Joseph Royster, and sung by Gary U.S. Bonds.

  8. ii–V–I progression - Wikipedia

    en.wikipedia.org/wiki/Ii–V–I_progression

    The ii 7 –V 7 –I maj7 progression provides smooth voice leading between the thirds and sevenths of these chords; the third of one chord becomes the seventh of the next chord, and the seventh of one chord moves down a half-step to become the third of the next chord.

  9. Quarter note - Wikipedia

    en.wikipedia.org/wiki/Quarter_note

    The term "quarter note" is a calque (loan-translation) of the German term Viertelnote. In the Romance languages of Catalan, French, Galician, and Spanish, the name of this note and its equivalent rest is derived from the Latin negra meaning 'black'—as the semiminima was the longest note to be colored in mensural white notation. This is still ...

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