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Ceiling of the Treasure Room of the Archaeological Museum of Ferrara, Italy, painted in 1503–1506. Trompe-l'œil (French for 'deceive the eye'; / t r ɒ m p ˈ l ɔɪ / tromp-LOY; French: [tʁɔ̃p lœj] ⓘ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface.
Henri Cadiou (March 26, 1906, Paris – April 6, 1989) was a 20th-century French realist painter and lithographer, best known for his work in trompe-l'œil painting. His trompe-l'œil paintings feature large groups of everyday objects depicted in a realistic style. He was also a painter of genre scenes.
Franciscus Gijsbrechts (1649, Antwerp – after 1677), was a Flemish painter of still lifes specialised in vanitas still lifes and trompe-l'œil paintings. He worked in the second half of the seventeenth century in the Spanish Netherlands, Denmark and the Dutch Republic.
An early (between 1804 and 1807) trompe-l'œil piece by Boilly, similar to his etymological Un trompe-l'œil of 1800 The Triumph of Marat, 1794 Boilly was born in La Bassée in northern France, [2] the son of a local wood sculptor. [3]
The main article for this page is Trompe-l'œil. Pages in category "Trompe-l'œil paintings" The following 17 pages are in this category, out of 17 total.
These paintings, like the horseshoe or currency depictions mentioned earlier, are especially effective as trompe-l'œil because the objects occupy a shallow space, meaning that the illusion is not spoiled by parallax shift if the viewer moves. [10] Overall, Harnett's work is most comparable to that of the slightly younger John F. Peto.
Andrea Pozzo painted this ceiling and trompe-l'oeil dome on a canvas, 17 m wide. The paintings in the apse depict scenes from the life of St. Ignatius, St Francis Xavier and St Francis Borgia. St Ignatius chapel (Gesù)
Trompe-l'œil mural at California State University, Chico titled Academe, featuring Doric columns and peeling walls, by John Pugh "I am a trompe l’oeil artist focusing primarily on public art. I have found that the ‘language’ of life-size illusions allow me to effectively communicate with a very large audience.
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