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Xiaoluo (小锣) – a small flat gong whose pitch rises when struck with the side of a flat wooden stick; Yueluo (月锣) – small pitched gong held by a string in the palm of the hand and struck with a small stick; used in Chaozhou music; Jingluo (镜锣) – a small flat gong used in the traditional music of Fujian
By far the most familiar to most Westerners is the chau gong or bullseye gong. Large chau gongs, called tam-tams [7] have become part of the symphony orchestra. Sometimes a chau gong is referred to as a Chinese gong, but in fact, it is only one of many types of suspended gongs that are associated with China. A chau gong is made of copper-based ...
Cồng chiêng - tuned gong (comes in both flat and knobbed varieties) Tam âm la - set of three small, high-pitched flat gongs in a frame; used primarily in nhã nhạc music; T'rưng - bamboo xylophone; Đàn đá - lithophone, commonly having 9+ stone bars, 65–102 cm (26–40 in) in length. It is believed the instrument dates back to 1000 BC.
Luogu (锣鼓; pinyin: luógǔ; literally "gongs and drums") are Chinese percussion ensembles, which are typically made up of several different types of drums (鼓; pinyin: gǔ) and several different types of metal idiophones, usually including gongs (鑼/锣; pinyin: luó) and cymbals (鈸; pinyin: bó). Such ensembles sometimes play in ...
The yunluo's gongs are generally of equal diameter but different thicknesses; the thicker gongs produce a higher pitch. It is often used in wind and percussion ensembles in northern China. Old drawings also depict a smaller yunluo with just five gongs, which was held by a handle by one hand and played with the other.
Khong rao (ฆ้องราว) - three bossed gongs (small, medium, and large) suspended vertically in a wooden frame; rare; Khong khu (ฆ้องคู่) - pair of small bossed gongs suspended horizontally in a wooden box; used in theater music and music of southern Thailand
Kulintang gongs are made using the cire perdue method, a lost-wax process used for casting the individual gongs. [35] The first phase is the creation of wax molds of the gongs. In the past, before the availability of standardized wax sheets made specifically for foundry use, the molds were made out of either beeswax ( talo ) or candle wax ...
Instruments are (clockwise from front) gong chimes kong von thom and kong toch, roneat ek xylophone, samphor drum, skor thom drum, sralai toch and thom oboes in glass case, ching or chap small cymbals (also in glass case), roneat dek metal xylophone, and roneat thung bamboo xylophone (half in edge of photo).
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