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He created fifty different block-printed wallpapers, all with intricate, stylised patterns based on nature, particularly upon the native flowers and plants of Britain. His wallpapers and textile designs had a major effect on British interior designs, and then upon the subsequent Art Nouveau movement in Europe and the United States.
Morris and his workshop began making embroideries for the households of his friends as well as larger panels for some of the many new churches being constructed in England. In these designs, Morris created the decorative elements, while his friend Edward Burne-Jones drew the figures, and a team of embroiderers manufactured the work by hand.
Strawberry Thief, 1883, William Morris (1834-1896) V&A Museum no. T.586-1919 Strawberry Thief is one of William Morris's most popular repeating designs for textiles. [1] It takes as its subject the thrushes that Morris found stealing fruit in his kitchen garden of his countryside home, Kelmscott Manor, in Oxfordshire.
From each gate hung a panel of deep saffron-colored nylon fabric. The exhibit ran from February 12 through February 27, 2005. The exhibit ran from February 12 through February 27, 2005. In the books and other memorabilia distributed by the artists, the project is called The Gates, Central Park, New York, 1979–2005, alluding to the time that ...
A six-panel byōbu from the 17th century Pair of screens with a leopard, tiger and dragon by Kanō Sanraku, 17th century, each 1.78 m × 3.56 m (5.8 ft × 11.7 ft), displayed flat Left panel of Irises (燕子花図, kakitsubata-zu) by Ogata Kōrin, 1702 Left panel of the Shōrin-zu byōbu (松林図 屏風, Pine Trees screen) by Hasegawa Tōhaku, c. 1595 Byōbu depicting Osaka from the early ...
Image credits: Nature Photographer of the Year (NPOTY) 2024 #3 Category Mammals: Highly Commended, "Gone Fishing" By Hannes Lochner "A small-spotted genet visits a water pond for a sip and ...
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