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Ivanović (Serbian Cyrillic: Ивановић, pronounced [ǐʋanoʋitɕ]), [1] also transliterated as Ivanovich or Ivanovitch) is a South Slavic surname, a patronymic derived from Ivan. It is a Slavic equivalent of Johnson. It is a common surname in Bosnia and Herzegovina, Croatia, Montenegro, and Serbia. It may refer to the following notable ...
"The Tale of How Ivan Ivanovich Quarreled with Ivan Nikiforovich" (Russian: «Повесть о том, как поссорился Иван Иванович с Иваном Никифоровичем», romanized: Povest' o tom, kak possorilsja Ivan Ivanovič s Ivanom Nikiforovičem, 1835), also known in English as The Squabble, is the final tale in the Mirgorod collection by Nikolai Gogol.
Ilya Ivanovich Ivanov (1870 – c. 1932), Russian biologist; Ivan Ivanov (disambiguation) – several people; Ive Ivanov, (born 1985), Croatian basketball player; Ivo Ivanov (disambiguation) – several people; Kira Ivanova (1963–2001), Russian figure skater; Konstantin Ivanov (disambiguation), several people
Ivan (Cyrillic: Иван / Іван) is a Slavic male given name, connected with the variant of the Greek name Iōánnēs (English: John) from Hebrew יוֹחָנָן Yôḥānnān meaning 'God is gracious'. It is associated worldwide with Slavic countries.
The stories in Mirgorod were composed at different times. “Old World Landowners” was begun in 1832 when Gogol revisited his birthplace of Sorochyntsi after living in Saint Petersburg for five years, [4] “Viy” was begun in 1833, and “The Tale of How Ivan Ivanovich Quarreled with Ivan Nikiforovich” had previously appeared in the almanac Housewarming (Новоселье) in 1834. [5]
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Vyacheslav Ivanovich Ivanov (Russian: Вячесла́в Ива́нович Ива́нов, Italian: Venceslao Ivanov; 28 February [O.S. 16 February] 1866 – 16 July 1949) was a Russian poet, playwright, Classicist, and senior literary and dramatic theorist of the Russian Symbolist movement.
Ivan Ivanovich Dzerzhinsky (Russian: Иван Иванович Дзержинский) (April 9, 1909 – January 18, 1978) was a Soviet composer. The work for which he best known, his opera Quiet Flows the Don [ ru ] , was more successful for its political potential than for any musical distinction.