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The most famous story usually runs as described below. The story is based on the Japanese fairy tale "The Green Willow" and other ancient fairy tales originating in China about the constellations that tell the story of two lovers separated and envied by gods for their love. The lovers can only meet once a year when the stars align.
The legend has been adapted into traditional Chinese opera in several local varieties, as Liang Zhu in Yue opera and In the Shade of the Willow (柳蔭記) in Sichuan opera. The Yue opera version was made into a colour motion picture in China in 1954.
The Legend of the Willow Pattern was invented by the English over 200 years ago to promote pottery sales of a china willow pattern based on an older china pattern. The story runs as follows (with the frequent references to the figures in the plate design omitted): Once there was a wealthy mandarin, who had a beautiful daughter.
The Willow Pattern may refer to: Willow pattern , a distinctive and elaborate chinoiserie pattern used on ceramic tableware The Willow Pattern (opera) , a comic opera by Basil Hood and Cecil Cook
The short is based on the Willow pattern legend, with some major differences, including a dragon. There is an oriental scene, the Willow pattern on a china plate, that comes to life, telling the story of two young lovers who are disturbed. First, they have to deal with an angry and overweight Emperor who is the girl's father.
A 20th century version of The Willow Pattern, a typical Staffordshire Potteries product in blue and white transfer printed earthenware. Thomas Minton (1765–1836) was an English potter . He founded Thomas Minton & Sons in Stoke-on-Trent , Staffordshire , which grew into a major ceramic manufacturing company with an international reputation.
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The willow is one of the four species associated with the Jewish festival of Sukkot, or the Feast of Tabernacles, cited in Leviticus 23:40. Willow branches are used during the synagogue service on Hoshana Rabbah, the seventh day of Sukkot. In Buddhism, a willow branch is one of the chief attributes of Guanyin, the bodhisattva of compassion.