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Diasporic music as a special mixture of emotions has appealed not only the exiled Vietnamese but also residents in Vietnam. Diasporic music got a large number of fans in the homeland in spite of the fact that overseas music has been restricted especially in the public by the unified Vietnam government since 1975.
The Vietnam War had a profound impact on Vietnamese music, inspiring many protest songs and influencing the development of modern Vietnamese music, the introduction of rock came with use of electric guitars to create more aggressive sound on the songs. The main genres that were common in this period were the rock ,folk and soul.
Aside from Vietnamese literature, pre-war and postwar Vietnamese narratives arguably gained mass and public interest through the broadcasting of Vietnamese music. While Vietnamese music encompasses different genres such as nhã nhạc, chèo, dân ca, quan họ, hát chầu văn, ca trù, hò, hát xẩm, and tuồng cải lương, it was ...
Nhạc đỏ or literally Red Music is the common name of the revolutionary music (nhạc cách mạng) genre in Vietnam. [1] Red Music was formed during the communist Việt Minh and the First Indochina War and later strongly promoted across communist North Vietnam during the Vietnam War, to urge Northerners to achieve reunification under the Workers' Party of North Vietnam and fight against ...
The protest music that came out of the Vietnam War era was stimulated by the unfairness of the draft, the loss of American lives in Vietnam, and the unsupported expansion of war. The Vietnam War era (1955–1975) was a time of great controversy for the American public.
Tiếng gọi thanh niên, or Thanh niên hành khúc (Saigon: [tʰan niəŋ hân xúk], "March of the Youths"), and originally the March of the Students (Vietnamese: Sinh Viên Hành Khúc, French: La Marche des Étudiants), is a famous song of the musician Lưu Hữu Phước.
Fronted by Nam Loc and her brother, Tung Linh, a renowned guitar player in Vietnam at the time, the group played regularly at the My Phung bar in Saigon. On May 29, 1971, they played at South Vietnam's first International rock festival, Live at the Saigon Zoo. On April 8, 1971, a bomb exploded in the bar killing one GI and a 14-year-old girl.
Phạm Duy (5 October 1921 – 27 January 2013) was one of Vietnam's most prolific songwriters with a musical career that spanned more than seven decades through some of the most turbulent periods of Vietnamese history and with more than one thousand songs to his credit, [1] he is widely considered one of the three most salient and influential figures of modern Vietnamese music, along with ...