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On 11 October 1991, the Cologne Tourist Office had a newly created model of the finial erected in front of the cathedral. [6] The concrete model of the southern finial on a scale of 1:1 was placed 50 metres in front of the west façade of the cathedral between the street Unter Fettenhennen and the Domplatte . The faithful sculpture demonstrates ...
Caption text says "Cologne, the Cathedral in the Background. Drawn by Hermann Peters in the Illuslrite Zeitung" Source New York Times, June 10, 1923 "Germany Kills Her Golden Goose" Date before 1924 Author Hermann Peters Permission (Reusing this file) Published before 1928
Cologne Cathedral (German: Kölner Dom, pronounced [ˌkœlnɐ ˈdoːm] ⓘ, officially Hohe Domkirche Sankt Petrus, English: Cathedral Church of Saint Peter) is a cathedral in Cologne, North Rhine-Westphalia belonging to the Catholic Church. It is the seat of the Archbishop of Cologne and of the administration of the Archdiocese of Cologne.
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Saint Barbara is a small 1437 drawing (41.2 × 27.5 cm) on oak panel, signed and dated 1437 by the Netherlandish artist Jan van Eyck. It is unknown if the work is a chalk ground study in pencil for a planned oil painting, an unfinished underdrawing or a completed work in of itself, [ 1 ] although the latter is deemed more likely.
Meister Gerhard, Statue Cologne Cathedral medal 680th anniversary 1928 of the construction start by Meister Gerhard in 1248, obverse Meister Gerhard showing a plan of the cathedral at the reverse of this medal. Meister or Master Gerhard (c. 1210 allegedly in Reil – 24 or 25 April 1271 in Cologne) was the first master mason of Cologne Cathedral.
From 1833 he was the leading architect of Cologne Cathedral, which was to finally be completed. [1] At Cologne, he was next to Vincenz Statz the most important practical representative of Gothic Revival architecture. Zwirner was assigned the restoration after the death of Friedrich Adolf Ahlert, .
The Cologne Cathedral Window is the stained glass window in the south transept of the Cologne Cathedral designed by Cologne artist Gerhard Richter. On a surface of 106 square metres, 11,263 glass squares in 72 colours of 9,6 cm × 9.6 cm were principally arranged randomly, with others selected in response to architectural context. [ 1 ]