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Shinto music is the ceremonial and festive music of Shinto (神道), the indigenous religion of Japan. Its origin myth is the erotic dance of Ame-no-Uzume-no-Mikoto which lured Amaterasu from her cave.
Shinto music; The Glossary of Shinto for an explanation of terms concerning Japanese Shinto, Shinto art, and Shinto shrine architecture.
Kagura (神楽 (かぐら), "god-entertainment") is a type of Shinto ritual ceremonial dance. The term is a contraction of the phrase kami no kura ("seat of god"), indicating the presence of gods in the practice.
The term suzu refers to small bells in general, but can refer to two Japanese instruments associated with Shinto ritual: [3] A single large crotal bell similar in shape to a sleigh bell and having a slit on one side. A handheld bell-tree with small crotal bells strung in three levels on a spiraling wire.
Her name means "Shines from Heaven" or "the great kami who shine Heaven". For many reasons, one among them being her ties to the Imperial family, she is often considered (though not officially) to be the "primary god" of Shinto. [1] [2] Ame-no-Uzume (天宇受売命 or 天鈿女命) Commonly called Uzume, she is the goddess of dawn and revelry ...
A miko (), or shrine maiden, [1] [2] is a young priestess [3] who works at a Shinto shrine. Miko were once likely seen as shamans, [4] but are understood in modern Japanese culture to be an institutionalized [5] role in daily life, trained to perform tasks, ranging from sacred cleansing [4] to performing the sacred Kagura dance.
' elegant music ') – Ancient court music that was introduced into Japan with Buddhism from the Korean peninsula and China; now played for Shinto and Buddhist rituals and ceremonies. Gaki (餓鬼, lit. ' hungry ghost ') – The "hungry ghost" realm of incarnation, the second-lowest realm on the wheel of reincarnation. See rinne.
Musicians and dancer, Muromachi period Traditional Japanese music is the folk or traditional music of Japan. Japan's Ministry of Education classifies hōgaku (邦楽, lit. ' Japanese music ') as a category separate from other traditional forms of music, such as gagaku (court music) or shōmyō (Buddhist chanting), but most ethnomusicologists view hōgaku, in a broad sense, as the form from ...
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