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A chinaman is a dealer in porcelain and chinaware, especially in 18th-century London, where this was a recognised trade; a "toyman" dealt additionally in fashionable trifles, such as snuffboxes. [2] Chinamen bought large quantities of Chinese export porcelain and Japanese export porcelain landed by the East India Company , who held auctions ...
Bristol porcelain, like that of Plymouth, was a hard-paste porcelain: [11] "It is harder and whiter than the other 18th-century English soft-paste porcelains, and its cold, harsh, glittering glaze marks it off at once from the wares of Bow, Chelsea, Worcester or Derby". [10]
The sale at auction in 2003 of a tureen in the form of a hen and chickens for £223,650 was then the auction record for English 18th-century porcelain. [54] In 2018 a pair of plaice -shaped tureens of c. 1755 from the collection of David Rockefeller and his wife fetched $300,000 (both sales at Christie's).
Teapot, ca. 1765–69. John Bartlam (1735–1781) was a British maker of pottery who emigrated to America in 1763, and established a factory in Cainhoy, then called Cain Hoy, nine miles north of Charleston, South Carolina before moving to Camden, South Carolina.
The Rockingham Pottery was a 19th-century manufacturer of porcelain of international repute, supplying fine wares and ornamental pieces to royalty and the aristocracy in Britain and overseas, as well as manufacturing porcelain and earthenware items for ordinary use.
His father, also James Giles, was of a Huguenot family named 'Gilles', from Nîmes.James senior was recorded in 1729 as being a 'China Painter' and living in London. His son, Abraham, was recorded in the same year as being apprenticed to Philip Margas, of the Glass Sellers' Company, whereas James junior was indentured in 1733 to John Arthur, a jeweller at St Martin-in-the-Fields.
It refers to pieces of Chinese porcelain, mostly from the first half of the 18th century, that are less translucent than most Chinese porcelain and have a rather milky-white glaze, which is prone to crackling. Some regard it as essentially made from a hard-paste body that did not reach a sufficiently high firing temperature, or uses a different ...
The production of Derby porcelain dates from the second half of the 18th century, although the authorship and the exact start of the production remains today as a matter of conjecture. The oldest remaining pieces in the late 19th century bore only the words "Darby" and "Darbishire" and the years 1751-2-3 as proof of place and year of manufacture.