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Rogier van der Weyden (Dutch: [roːˈɣiːr vɑn dər ˈʋɛidə(n)]; 1399 or 1400 – 18 June 1464), initially known as Roger de le Pasture (French: [ʁɔʒe d(ə) la pastyʁ]), was an early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits.
The Annunciation Triptych is an oil-on-panel triptych by the Netherlandish artist Rogier van der Weyden, dating from around 1434.It was originally formed by three panels, the central one being now at The Louvre museum in Paris, France; the side panels are at the Galleria Sabauda of Turin, Italy.
Most of the works of Rogier van der Weyden consist of triptychs, diptychs or polyptychs, each including more than one panel. Some are dismembered and the parts are kept in different museums. Some panels are only fragmentary remains. This list features the paintings accepted as authentic by Dirk de Vos (2000). They are listed chronologically ...
Rogier van der Weyden's Saint John Altarpiece.Oil on oak panel, each frame 77 x 48cm. Gemäldegalerie, Berlin. The Saint John Altarpiece (German: Johannesaltar, Johannestafel or Johannesretabel) is triptych of c. 1455 in oils on oak panel by the Early Netherlandish painter Rogier van der Weyden, now in the Gemäldegalerie, Berlin. [1]
The Braque Triptych (or the Braque Family Triptych) is a c. 1452 oil-on-oak altarpiece by the Early Netherlandish painter Rogier van der Weyden. When open, its three half-length panels reveal, from left to right, John the Baptist, The Virgin Mary with Jesus and Saint John the Evangelist, and on the right, Mary Magdalene.
However, considering that Van Der Weyden was known to be the official painter of the court in Brussels, having inherited Jan Van Eyck’s painting position, it is possible that the patron was someone connected to the court, perhaps a member of the bourgeoisie, nobles, or courtiers. [12] Crucifixtion Triptych - Patrons Rogier Van Der Weyden
Rogier van der Weyden, Head of the Virgin, silverpoint on white prepared paper, Circa 1455-1464, Louvre, Paris. Friedrich Winkler and others think this was by van der Weyden himself, an attribution widely accepted today. [5] At the bottom there is an inscription mistakenly attributing it to Albrecht Dürer.
The Seven Sacraments Altarpiece is a fixed-wing triptych by the Early Netherlandish artist Rogier van der Weyden and his workshop. It was painted from 1445 to 1450, probably for a church in Poligny (Max J. Friedländer claimed that it was commissioned by the Bishop Jean Chevrot), [1] and is now in the Royal Museum of Fine Arts, Antwerp.