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Anatomy of a Devanagari typeface. Typeface anatomy describes the graphic elements that make up letters in a typeface. [1] [2] Typefaces are born from the struggle between rules and results. Squeezing a square about 1% helps it look more like a square; to appear the same height as a square, a circle must be measurably taller. The two strokes in ...
Beyond Anatomy of a Typeface Lawson has considered and discussed the classification of types. Within Anatomy, Lawson arranges the typefaces by classification. In his preface, Lawson qualifies his classification: "After using this system in the teaching of typography over a thirty-year period, I know that it is reasonably effective in the ...
Storey refers to the number of open or closed stacked counters, especially in the context of the letters a and g and their typographic variants.. The lowercase 'g' has two typographic variants: the single-storey form (with a hook tail) has one closed counter and one open counter (and hence one aperture); the double-storey form (with a loop tail) has two closed counters.
Clarendon is a slab serif typeface that was released in 1845 by Thorowgood and Co. (or Thorowgood and Besley) of London, a letter foundry often known as the Fann Street Foundry. The original Clarendon design is credited to Robert Besley , a partner in the foundry, and was originally engraved by punchcutter Benjamin Fox, who may also have ...
Formally, overshoot is the degree to which capital letters go below the baseline or above the cap height, or to which a lowercase letter goes below the baseline or above the x-height. [4] For example, the highest and lowest extent of the capital O will typically exceed those of the capital X.
Diagram of a cast metal sort.a face, b body or shank, c point size, 1 shoulder, 2 nick, 3 groove, 4 foot.. In professional typography, [a] the term typeface is not interchangeable with the word font (originally "fount" in British English, and pronounced "font"), because the term font has historically been defined as a given alphabet and its associated characters in a single size.
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Related fonts [ edit ] Other Monotype fonts of the hot metal period inspired by Renaissance printing included the very popular Bembo (with a roman based on a slightly later font used by Aldus Manutius ), Lutetia by Jan van Krimpen (a more personal design, as opposed to a direct revival) and the post-war Dante .