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Charles Weidman wanted to create a uniquely American style of movement. He wanted to develop movement that was not based on animals or bugs or fairy tale stories like the common themes in popular ballets. He also wanted to break free from the current ideas of modern dance embodied by the Denishawn Company (of which he was a member).
Brenda Dixon Gottschild is an American cultural historian, performer, choreographer, and anti-racist cultural worker. She has used her background as a dance performer and as a professor of dance to create works that bring racism, gender, and societal questions to the forefront of discussions.
To the contrary, VANTABLACK, produced by Hathaway with Phil Beaudreau, Ariza, Warryn Campbell and Eric Dawkins rotating at the controls, is closer in sound to Where It All Begins, given that the stylistic descriptors for all of the songs would have to include soul with preceding modifiers such as modern, throwback, hip-hop, folk, and pop. [4]
Dafora is credited with the development of the dance-drama, a type of production that fully integrates narrative and song into dance performance. Furthermore, Dafora was the first to successfully stage African ritual in a Western style stage production. [13] His first work, "Kykunkor" (Witch Woman), completed in 1931, was based on African folklore.
Talley Beatty (22 December 1918 – 29 April 1995) was born in Cedar Grove, Louisiana, a section of Shreveport, but grew up in Chicago, Illinois.He is considered one of the greatest of African American choreographers, and also bears the titles dancer, doctor, and dance company director.
The United States of America is the home of the hip hop dance, swing, tap dance and its derivative Rock and Roll, and modern square dance (associated with the United States of America due to its historic development in that country—twenty three U.S. states have designated it as their official state dance or official folk dance) and one of the major centers for modern dance.
Donald McKayle (July 6, 1930 – April 6, 2018 [2]) was an American modern dancer, choreographer, teacher, director and writer best known for creating socially conscious concert works during the 1950s and '60s that focus on expressing the human condition and, more specifically, the black experience in America. He was "among the first black men ...
Fagan choreographed for the Dance Theatre of Harlem, the Alvin Ailey American Dance Theater, and the Limón Dance Company in the 1970s. He has studied the works of Isadora Duncan, Martha Graham, Pearl Primus, Alvin Ailey, José Limón, and Katherine Dunham. He is also influenced by Caribbean and West African dances. [1]