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The Greek archaic smile is also found on Etruscan artworks during the same time period nearby on the west side of the Italian peninsula, as consequence of the influence of Greek art on Etruscan art. An example of this commonly featured in art history texts is the Sarcophagus of the Spouses , a terracotta work found in the necropolis of Cerveteri .
In racist discourse, especially that of post-Enlightenment Western writers, a Roman nose has been characterized as a marker of beauty and nobility. [5] A well-known example of the aquiline nose as a marker contrasting the bearer with their contemporaries is the protagonist of Aphra Behn's Oroonoko (1688).
The bodies assume a hieratic posture, in a frontal position, arms hanging down at their sides or one folded at the chest, one leg in advance suggesting movement, with long curly hair and facial expression fixed in a smile outline. Following the example of the geometric bronzes, the men are naked, and the women are dressed in elaborate costumes ...
Peplos Kore. The Peplos Kore is an ancient sculpture from the Acropolis of Athens.It is considered one of the best-known examples of Archaic Greek art. Kore is a type of archaic Greek statue that portrays a young woman with a stiff posture looking straight forward.
Polykleitos: The Doryphoros, the summary of the aesthetic idealism of Classicism. The sculpture of Classicism, the period immediately preceding the Hellenistic period, was built on a powerful ethical framework that had its bases in the archaic tradition of Greek society, where the ruling aristocracy had formulated for itself the ideal of arete, a set of virtues that should be cultivated for ...
The facial features (the profile, almond-shaped eyes, large nose) in the frescoes and sculptures, and the depiction of reddish-brown men and light-skinned women, influenced by archaic Greek art, follow the artistic traditions from the Eastern Mediterranean.
Kouros (Ancient Greek: κοῦρος, pronounced, plural kouroi) is the modern term [a] given to free-standing Ancient Greek sculptures that depict nude male youths. They first appear in the Archaic period in Greece and are prominent in Attica and Boeotia, with a less frequent presence in many other Ancient Greek territories such as Sicily.
Pharsalos stele, c. 470–60, Louvre. The Severe style, or Early Classical style, [1] was the dominant idiom of Greek sculpture in the period ca. 490 to 450 BCE. It marks the breakdown of the canonical forms of archaic art and the transition to the greatly expanded vocabulary and expression of the classical moment of the late 5th century.