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The movie was based on an idea by director Geoffrey Nottage. Producer Jan Chapman had just made two telemovies written by Louis Nowra and hired Nowra to write the script. Nowra was reluctant to work on a project that came from someone else's idea but enjoyed collaborating with Chapman and had just read Jules Verne 's Mistress Branican which had ...
It was directed by South African film maker Regardt van den Bergh and stars veteran actor Richard Kiley in the role of St. Matthew (who narrates the movie), newcomer Bruce Marchiano as Jesus, and Gerrit Schoonhoven as Peter. [1] [2] Marchiano portrays Jesus as a joyous, earthy, personal man with a sense of humour. [3] [4]
It follows Mary, mother of Jesus, played by Noa Cohen, from her childhood in Nazareth to the birth of Jesus. The film also stars Ido Tako, Ori Pfeffer, Hilla Vidor, Dudley O'Shaughnessy, and Anthony Hopkins. It was released on Netflix on December 6, 2024.
While Martin Scorsese is celebrating his latest epic “Killers of the Flower Moon” on the awards circuit, the filmmaker is already teasing what could be his next movie, based on Shūsaku Endō ...
Perkins called Louis Nowra to adapt it into a half-hour drama, but Nowra suggested they make it as a feature film. [2] It was her first feature fiction film as a director, [ 3 ] and only the third feature film directed by an Indigenous Australian person, following Jindalee Lady (1992) and BeDevil (1993).
Jesus is a 1999 Italian-American biblical historical drama television miniseries that retells the historical events of Jesus Christ. It was shot in Morocco and Malta . It stars Jeremy Sisto as the titular character, Jacqueline Bisset as Mary of Nazareth , Debra Messing as Mary Magdalene and Gary Oldman as Pontius Pilate .
The Way of the Wind retells and chronicles several episodes in the life story of Jesus [4] through several parables. [5] A subplot revealed by Röhrig concerns Jesus not wanting Saint Peter, one of his disciples, to partake in a political movement to fight the Roman occupation.
Abed is drawn to the story and the character of Jesus, but he wants to approach it in a new way and envisions a "Jesus movie for the post-post-modern world". Unfortunately for Shirley, Abed's idea is an impenetrable story about a filmmaker exploring Jesus, involving the filmmaker realizing that he is in some way Jesus and the camera is God ...
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