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qīng-huā. Dutch delftware vase in a Japanese style, c. 1680. " Blue and white pottery " (Chinese: 青花; pinyin: qīng-huā; lit. 'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration was commonly applied by hand, originally by brush ...
Chinoiserie entered European art and decoration in the mid-to-late 17th century; the work of Athanasius Kircher influenced the study of Orientalism.The popularity of chinoiserie peaked around the middle of the 18th century when it was associated with the Rococo style and with works by François Boucher, Thomas Chippendale, and Jean-Baptist Pillement.
24.6 cm × 36.5 cm (9.7 in × 14.4 in) The Great Wave off Kanagawa (Japanese: 神奈川沖浪裏, Hepburn: Kanagawa-oki Nami Ura, lit. 'Under the Wave off Kanagawa')[a] is a woodblock print by Japanese ukiyo-e artist Hokusai, created in late 1831 during the Edo period of Japanese history. The print depicts three boats moving through a storm ...
Characteristically the background colour is white and the image blue, but various factories have used other colours in monochrome tints and there are Victorian versions with hand-touched polychrome colouring on simple outline transfers. In the United States of America, the pattern is commonly referred to as Blue Willow.
A pair of complementary flasks from Yongle period (1402–1424) in the Ming dynasty. Chinese ceramics are one of the most significant forms of Chinese art and ceramics globally. They range from construction materials such as bricks and tiles, to hand-built pottery vessels fired in bonfires or kilns, to the sophisticated Chinese porcelain wares ...
John Alexander Pope (4 August 1906 – 18 September 1982) was a prominent scholar of Asian art, particularly Chinese and Japanese blue-and-white ceramics. He spent most of his career at the Freer Gallery of Art in Washington. [1][2][3] Pope was born in Detroit, Michigan. He attended Phillips Exeter Academy until 1925, and then Yale College ...
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