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Max Ernst (2 April 1891 – 1 April 1976) was a German (naturalised American in 1948 and French in 1958) painter, sculptor, printmaker, graphic artist, and poet. [1] A prolific artist, Ernst was a primary pioneer of the Dada movement and Surrealism in Europe. [1]
Little Machine Constructed by Minimax Dadamax in Person (Von minimax dadamax selbst konstruiertes maschinchen) (1919–20) is a mixed-media work of art by the German dadaist and surrealist Max Ernst. It is probably the most famous example of a series of Ernst's works that were based on diagrams of scientific instruments.
The painting's short original title is Celebes, according to inscriptions on the front and back of the canvas. [1] Ernst painted Celebes in Cologne in 1921. The French poet and Surrealist Paul Éluard visited Ernst that year and purchased the painting and took it back to Paris. Éluard would buy other of Ernst's paintings, and Ernst painted murals for Éluard's house in Eaubonne.
The Temptation of Saint Anthony is a 1945 painting by the German artist Max Ernst.It depicts the desert father Anthony the Great as he is tormented by demons in Egypt. [1] The painting is located at the Lehmbruck Museum in Duisburg, Germany.
The Wood (Max Ernst) This page was last edited on 30 June 2023, at 19:43 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 ...
A portion of the painting (the upper-left) was used as the original cover art for the mass market paperback printing of the 1958 science fiction novel A Case of Conscience. [5] British science fiction writer J. G. Ballard was influenced by the painting, which was one of the main sources for Ballard's 1970 novel The Atrocity Exhibition. [3]
The Hat Makes the Man (1920) is a collage by the German dadaist/surrealist Max Ernst. It is composed of cut out images of hats from catalogues linked by gouache and pencil outlines to create abstract anthropomorphic figures. There are inscriptions in ink that read "seed-covered stacked-up man seedless waterformer ('edelformer') well fitting ...
Max Ernst. Loplop Introduces Loplop. 1930. Oil and various materials on wood. 100 x 180 cm. The Menil Collection, Houston, Texas. Loplop, or more formally, Loplop, Father Superior of the Birds, [1]: 62 p. is the name of a birdlike character that was an alter ego of the Dada-Surrealist artist Max Ernst. Ernst had a ongoing fascination with birds ...
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