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The obi worn by men are much narrower than those of women, with the width of most men's obi being about 10 centimetres (3.9 in) at the most. Men's obi are worn in a much simpler fashion than women's, worn below the stomach and tied in a number of relatively simple knots at the back - requiring no obijime, obiage, obi-ita or obimakura to achieve.
The obi-age has the dual purpose of hiding the obi-makura and providing a colour contrast against the obi. Obi-age are often silk, and are typically worn with more formal varieties of kimono. Obi-age can be plain-dyed silk, but are often decorated with shibori tie-dyeing; for maiko, obi-age are only ever red with a gold or silver foil design.
It also featured an obi (belt), though unlike modern version, this was little more than a thin, cordlike length of fabric. The number of layers, and the type of layers, could alter the formality of a jūnihitoe outfit, with some accessories, such as overcoats and a long, skirt-like train (known as the mō ) only worn for special, formal occasions.
Men wear a kimono of the same kind, with a subdued obi and a black-and-white or black-and-grey striped hakama, worn with black or white zōri. A completely black mourning ensemble for women – a plain black obi, black obijime and black obiage – is usually reserved for those closest to the deceased. Those further away will wear kimono in dark ...
It is favoured as an obi fabric for its stiff, sturdy weave, making it easy to tie obi knots (known as obi musubi) that will not slip and loosen with wear. Therefore, it was commonly worn by samurai who needed to tuck their katana (sword) into the belt of their kimono. [5] [6] However, during the Meiji period, hakata-ori obi for women were also ...
Cultural appropriation has been a pervasive issue in the fashion industry, and has only recently been tackled head on. More consumers have come together on social media to discuss appropriation ...
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