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Così fan tutte, ossia La scuola degli amanti [a] (Women are like that, or The School for Lovers), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria.
A musical phrase from the act 1 trio of The Marriage of Figaro (where Basilio sings Così fan tutte le belle) was later reused by Mozart in the overture to his opera Così fan tutte. [40] Mozart also quotes Figaro's aria "Non più andrai" in the second act of his opera Don Giovanni.
Mozart: "Grand Scherzo," based on the Finale to Act I of Cosi fan tutte (2009) Rachmaninoff: "Vocalise" (2009) Fantasy on The Last Rose of Summer (2008) "Irish Tune from County Derry", arranged for piano, four-hands from the Grainger version for solo piano (2008) Debussy: Clair de lune (arranged for piano, six-hands) (2007) Khachaturian: Sabre ...
Aria (canzonetta) for voice and piano, transcription of an insertion aria sung by Luigi Marchesi with several texts in several operas. The version with the text "Ridente la calma" was inserted in Francesco Bianchi's Il trionfo della pace (1782). [1] The original author of the music may be Josef Mysliveček.
The programme for the concert was Beethoven's King Stephen overture, and Fourth Piano Concerto, with Daniel Adni as soloist, and Brahms's Third Symphony. The recording, with the orchestra's wind players, was of Mozart's Serenade No. 11 in E flat, K. 375. [93]
The overture begins with a thundering D minor cadence, followed by a short misterioso sequence which leads into a light-hearted D major allegro. The garden of the Commendatore. Leporello, Don Giovanni's servant, grumbles about his demanding master and daydreams about being free of him ("Notte e giorno faticar" – "Night and day I slave away ...
Composer Works Year Various The Beach Boys with the Royal Philharmonic Orchestra: 2018 Berlioz: Harold in Italy, King Lear Overture, Le Corsaire Overture, Les Francs-Juges Overture, Les Troyens Overture, Roman Carnival Overture, Symphonie Fantastique, Trojan March, Waverley Overture
"Méditation." For violin, piano, and organ (1852) [Based on Bach's first prelude] Version for piano solo "Valse" (1854) La jeune religieuse, by Schubert. For piano, violin, violoncello ad libitum, and Debain harmonicorde (1856) "Quintette de Cosi fan tutte," by Mozart. For violin, violoncello, organ, and piano (1856) Symphonie No. 1.