Search results
Results from the WOW.Com Content Network
Totem pole in Vancouver, British Columbia Totem poles at the Museum of Anthropology at the University of British Columbia. The meanings of the designs on totem poles are as varied as the cultures that make them. Some poles celebrate cultural beliefs that may recount familiar legends, clan lineages, or notable events, while others are mostly ...
While ill with pneumonia and unable to fish, he began to carve miniature totem poles. His interest in art was piqued, and he enrolled in the Institute of American Indian Arts in Santa Fe, New Mexico. Since then, Jackson's work has included large totem poles, canoes, carved doors, wood panel clan crests, masks, and jewelry.
It is frequently depicted in the art, songs, and oral histories of many Pacific Northwest Coast cultures, [citation needed] but is also found in various forms among some peoples of the American Southwest, [citation needed] US East Coast, [citation needed] Great Lakes, [1] and Great Plains.
Totem pole carved by William Shelton in Olympia, Washington. The conservation and restoration of totem poles is a relatively new topic in the field of art conservation.Those who are custodians of totem poles include Native American communities, museums, cultural heritage centers, parks or national parks, camp grounds or those that belong to individuals.
Toth dismisses the notion that the Whispering Giant sculptures are totem poles or represent Native American art, and has further stated that it would be inappropriate to carve totems because they were traditionally carved by Northwestern Indian tribes and had religious significance, where his carvings are intended as sculptures of Native ...
A totem (from Ojibwe: ᑑᑌᒼ or ᑑᑌᒻ doodem) is a spirit being, sacred object, or symbol that serves as an emblem of a group of people, such as a family, clan, lineage, or tribe, such as in the Anishinaabe clan system.
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
The staffs resemble small totem poles and are still used ceremonially today. [3] At gatherings, especially potlatches, a chief or their designated speaker holds the talking stick and makes announcements. [3] [4] The speaker thumps the stick on the ground for emphasis. [3] In some situations, a feather has been used as a stand-in for the talking ...