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Écriture féminine, or "women's writing", is a term coined by French feminist and literary theorist Hélène Cixous in her 1975 essay "The Laugh of the Medusa".
For Cixous, it is not anatomy that should define our identity; this is 'to confuse the biological and the cultural'. "The Laugh of the Medusa" is an exhortation and call for a "feminine mode" of writing which Cixous calls "white ink" and écriture féminine. Cixous builds the text using the elements of this mode and fills it with literary ...
Hélène Cixous (/ s ɪ k ˈ s uː /; French:; born 5 June 1937) is a French writer, playwright and literary critic. [2] During her academic career, she was primarily associated with the Centre universitaire de Vincennes (today's University of Paris VIII ), which she co-founded in 1969 and where she created the first centre of women's studies ...
Écriture féminine literally means women's writing. It is a philosophy that promotes women's experiences and feelings to the point that it strengthens the work. It is a strain of feminist literary theory that originated in France in the 1970s. Cixous first uses this term in her essay, The Laugh of the Medusa in which she asserts:
She has written more than thirty books of fiction as well as numerous essays and plays. She urges women to reclaim their natural relationships with their bodies and become rhetorically expressive. Cixous's work sparked the French feminist theory of écriture feminine. Sorties (1975) The Laugh of the Medusa (1975) Julia Kristeva (1941– )
French scholars such as Julia Kristeva, Hélène Cixous, Luce Irigaray and Bracha L. Ettinger introduced psychoanalytic discourses into their work by way of Sigmund Freud and Jacques Lacan as a way to truly "get to the root" of feminine anxieties within text to manifest broader societal truths about the place of women.
In the 1970s, French writers approached feminism with the concept of écriture féminine (which translates as female, or feminine writing). [28] Hélène Cixous argues that writing and philosophy are phallocentric and along with other French feminists such as Luce Irigaray emphasize "writing from the body" as a subversive exercise. [28]
In the 1970s, French feminists approached feminism with the concept of Écriture féminine, which translates as 'feminine writing'. [82] Hélène Cixous argues that writing and philosophy are phallocentric and along with other French feminists such as Luce Irigaray emphasizes "writing from the body" as a subversive exercise. [82]