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Propaganda is a form of persuasion used to indoctrinate a population towards an individual or a particular agenda. [8]: 7 Coercion is a form of persuasion that uses aggressive threats and the provocation of fear and/or shame to influence a person's behavior.
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While, It tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
One study with over 10,000 smart scale users showed that daily weigh-ins in particular were associated with weight loss progress, though regular weigh-ins in general helped with weight loss ...
In psychology, decision-making (also spelled decision making and decisionmaking) is regarded as the cognitive process resulting in the selection of a belief or a course of action among several possible alternative options. It could be either rational or irrational. The decision-making process is a reasoning process based on assumptions of ...
Adab-i-Latif. Publication type. Literary journal. Publication date. 1942. " Lihaaf " ("The Quilt") is an Urdu short story written by Ismat Chughtai which was published in the Urdu literary journal Adab-i-Latif in 1942. In the coming decades, it was widely anthologised and faced an obscenity trial. [1] It is one of Chughtai's well known works.
Umro Ayyar or Amar Ayyar is a fictional character, an ayyār, [a] in Tilism-e-Hoshruba, an Urdu recension of the Islamic epic Hamzanama (originally in Persian). He was first written about during the time of Mughal Emperor Akbar and many stories and novels have been written about him since.
Nazir Ahmad Dehlvi. Maulvi Nazir Ahmad Dehlvi, also known as Deputy Nazir Ahmad, was an Urdu novel writer, social and religious reformer, and orator. Even today’s he’s best known for his novels, he wrote over 30 books on subjects such as law, logic, ethics and linguistics. [1]
The name "Kahani" itself means "Story" in Urdu and Hindi, and is ultimately revealed to be the name of the sad city; a revelation that removes the sadness from the city's people. The Moon Kahani is, throughout most of the plot, divided into two sections equal in size, one of which is kept in perpetual daylight and the other in perpetual darkness.