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A possible reason for this broader usage of terms "tonality" and "tonal" is the attempt to translate German "Tonart" as "tonality" and "Tonarten-" prefix as "tonal" (for example, it is rendered so in the seminal New Grove article "Mode", [61] etc.). Therefore, two different German words "Tonart" and "Tonalität" have sometimes been translated ...
Two main theories of tonal functions exist today: The German theory created by Hugo Riemann in his Vereinfachte Harmonielehre of 1893, which soon became an international success (English and Russian translations in 1896, French translation in 1899), [4] and which is the theory of functions properly speaking. [5]
Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
Atonality, in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. [2]
Typically, the leading tone refers to the seventh scale degree of a major scale (), a major seventh above the tonic. In the movable do solfège system, the leading tone is sung as si. A leading-tone triad is a triad built on the seventh scale degree in a major key (vii o in Roman numeral analysis), while a leading-tone seventh chord is a ...
In Western musical theory, a cadence (from Latin cadentia 'a falling') is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards. [ 2 ] A harmonic cadence is a progression of two or more chords that concludes a phrase, section, or piece of music. [ 3 ]
Tonal languages such as Chinese and Hausa use intonation in addition to using pitch for distinguishing words. [1] Many writers have attempted to produce a list of distinct functions of intonation. Perhaps the longest was that of W.R. Lee, [2] who proposed ten. J.C. Wells [3] and E. Couper-Kuhlen [4] both put forward six functions. Wells's list ...
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition.The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded as often as one another in a piece of music while preventing the emphasis of any one note [3] through the use of tone rows, orderings of the 12 ...