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Devotees regard each of the Ashta Lakshmi to represent an attribute of Lakshmi, gaining the favour of the goddess with the chanting of each stanza of the prayer. The eight aspects of Lakshmi that are venerated by the mantra are: [4] [5] [6] Adi Lakshmi (lit. ' primeval Lakshmi ') Dhanya Lakshmi (lit. ' grain Lakshmi ') Dhairya Lakshmi (lit.
Lakshmi lustrated by elephants, Uttar Pradesh, Kausambi, 1st century BCE Bas relief of GajaLakshmi at the Buddhist Sanchi Stupa, Stupa I, North gateway, Satavahana dynasty sculpture, 1st century CE [40] Lakshmi is a member of the Tridevi, the triad of great goddesses. She represents the Rajas guna, and the Iccha-shakti.
Indra eulogised Lakshmi with the Lakshmi Stuti. [3] Pleased, the goddess offered him a boon of his choice. Indra requested that the three worlds may never again be deprived of her presence, and anyone who extolled the goddess with the same prayer that he had would never be forsaken by her. Lakshmi duly granted both of his wishes. [4]
The prayer Ashtalakshmi Stotra lists all of the Ashta Lakshmi, [2] in which the goddess is depicted as seated on a lotus. The rise in popularity of the Ashta Lakshmi can be linked with the rising popularity of the Ashtalakshmi Stotra. Ashta Lakshmi is now widely worshipped both by Sri Vaishnava and other Hindu communities in South India. [2]
The Tenkalai Sri Vaishnava urdhva pundra, a representation of Lakshmi Narayana [14] In the South Indian tradition of Sri Vaishnavism, the deity Narayana is worshipped as the supreme deity, and his consort Lakshmi as the supreme goddess. Lakshmi is regarded to be the source of salvation, Narayana, and is hence revered by adherents in order to ...
The Lakshmi Tantra is shown to have distinct similarities with the Pratik Rahasyam of Devi Mahatmya, showing an assimilation of Vaishnavas with Shakta-lore, which is extremely rare. The episode describing how the Supreme Shakti, Adi Mahalakshmi, transforms into her complete incarnation, Mahalakshmi or Mahasri, who is shown holding a mace, a ...
The Sri Stuti is composed in the mandakranta metre of Sanskrit poetry. It is regarded to have been inspired by the identically titled work composed by the philosopher Yamunacharya.
The devas proceed to pray to Lakshmi, who appears before her consort. She soothes Narasimha, assuring him that both his devotee and the world had been saved. Hearing his wife's words, the deity is pacified, and his appearance also becomes more benign. As a result, Lakshmi Narasimha is venerated as a representation of gentleness and peace. [3]