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The project's purpose was to translate masterpieces of world literature, primarily from a lesser known language into a more international language such as English and French. [1]
World Perspectives is a scholarly book series edited by Ruth Nanda Anshen and published by Harper & Row. Number indicates order in series. Approaches to God by Jacques Maritain; Accent on Form by Lancelot Law Whyte; Scope of Total Architecture by Walter Gropius; Recovery of Faith by Sarvepalli Radhakrishnan
The series ranges over the literary works of various epochs and civilisations, including the literature of the ancient East, ancient Greece and Rome, the Middle Ages, the Renaissance, the 17th and 18th centuries (Series One), the 19th century (Series Two), and the 20th century (Series Three). Several volumes are devoted to British, Australian ...
Film retrospectives are usually screenings of films grouped around a theme or a particular director. They are mounted as part of many film festivals, including the Retrospective section in the Berlin International Film Festival, [1] Sundance, [2] Locarno Film Festival, [3] Byron Bay Film Festival [4] They are also held by cinemas [5] [6] or various types of organisations.
Masterplots is a reference book series which summarizes the plots of significant works of literature and films. [1] The first edition was published in 1949 by Frank N. Magill of Salem Press. [ 2 ] It remains the flagship product of the publisher.
The Looking-glass world is featured in Once Upon a Time in Wonderland. In this series, the world is known as Wonderland and the Looking-glass world is just a realm within Wonderland, ruled by the Red King and Queen.
The World as I See It is a book by Albert Einstein translated from the German by A. Harris and published in 1935 by John Lane The Bodley Head (London). The original German book is Mein Weltbild by Albert Einstein, first published in 1934 by Rudolf Kayser, with an essential extended edition published by Carl Seelig in 1954. [ 1 ]
Green World is a literary concept defined by the critic Northrop Frye in his book Anatomy of Criticism (1957). Frye defines this term using Shakespeare's romantic comedies as the foundation. Frye defines this term using Shakespeare's romantic comedies as the foundation.