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The beginning of the BWV 548 Prelude, in the hand of J.S. Bach. Prelude and Fugue in E minor, BWV 548 is a piece of organ music written by Johann Sebastian Bach sometime between 1727 and 1736, [1] during his time in Leipzig. The work is sometimes called "The Wedge" due to the chromatic outward motion of the fugue theme. [1]
Organ Works (Bach, Johann Sebastian), Orgelwerke (Bach, Johann Sebastian): Scores at the International Music Score Library Project. Accessed: 09:23, 3 April 2016 (UTC). James Kibbie – Bach Organ Works: free downloads of the complete organ works of Johann Sebastian Bach, recorded by James Kibbie on original baroque organs in Germany. Accessed ...
"after" – indicating a model for the composition "by" – indicating the composer of the composition (if different from Johann Sebastian Bach) "in" – indicating the oldest known source for the composition " pasticcio" – indicating a composition with parts of different origin "see" – composition renumbered in a later edition of the BWV
Mid-eighteenth century manuscript copy of Prelude, BWV 555 in the durezza style of Girolamo Frescobaldi. While originally attributed to Bach, scientific examination of the extant manuscripts by Alfred Dürr in 1987 and subsequent stylistic analysis of the score by Peter Williams have suggested that the eight preludes and fugues might have been composed by one of his pupils, Johann Ludwig Krebs.
The organ concertos of Johann Sebastian Bach are solo works for organ, transcribed and reworked from instrumental concertos originally composed by Antonio Vivaldi and the musically talented Prince Johann Ernst of Saxe-Weimar.
What Do We Make of Bach? for obbligato organ and orchestra (2018) Haydn, Franz Joseph. Concerto Hob. XVIII:1 in C major for organ (or harpsichord) and orchestra (1756) Concerto Hob. XVIII:2 in D major for organ (or harpsichord) and orchestra (1767) Concerto Hob. XVIII:6 in F major for violin and organ (or harpsichord) with string orchestra (1766)
As a concert pianist, however, Liszt was not drawn to the organ. In 1857, having attended a Bach organ recital at the Frauenkirche, Dresden, which captivated both Clara Schumann and Joseph Joachim, Liszt's reaction had been, "Hm, dry as bones." Nevertheless, as far as Bach's music is concerned, Liszt became highly influential as a performer ...
The concerto transcriptions of Johann Sebastian Bach date from his second period at the court in Weimar (1708–1717). Bach transcribed for organ and harpsichord a number of Italian and Italianate concertos, mainly by Antonio Vivaldi, but with others by Alessandro Marcello, Benedetto Marcello, Georg Philipp Telemann and the musically talented Prince Johann Ernst of Saxe-Weimar.