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Sinfonia in C major, Op. 17 No. 4, E34 (1783) [6] Symphony in C major, Six Prussian Symphonies No. 1, E41; Kurt Atterberg: Symphony No. 6 "Dollar Symphony" , Op. 31 (1927-28) Johann Christoph Friedrich Bach: Symphony in C major, BR-JCFB C10 / Wf I: 6 (1770) Symphony in C major, BR-JCFB C 27 / Wf I/17 (1792, lost) Carl Philipp Emanuel Bach ...
Symphony No. 0; Symphony No. 1. Symphony No. 1 in C major; Symphony No. 1 in C minor; Symphony No. 1 in D major; Symphony No. 1 in D minor; Symphony No. 2
Symphony No. 1 in E major, Op. 26, by Alexander Scriabin (1900) Piano Concerto, in C major, Op. 39, by Ferruccio Busoni (1904) (not a symphony, but one of only two major concerted works to involve a chorus - see also Beethoven (above)) Symphony No. 3, by Guy Ropartz (1905) Symphony No. 8 in E-flat major, by Gustav Mahler (1907) *
Symphony No. 4 is scored for an orchestra consisting of 2 flutes (2nd doubling piccolo), 2 oboes, cor anglais, 2 clarinets in Bb, clarinet in Eb, 2 bassoons, contrabassoon, 4 French horns, 3 trumpets in C, 3 trombones, tuba, timpani, percussion (3), 2 harps, and strings.
Painting of Haydn by John Hoppner (1791) Joseph Haydn was a prolific composer of the classical period.He is regarded as the "father of the symphony" and the "father of the string quartet" for his more than 100 symphonies and almost 70 string quartets.
D major: Forest Symphony: 1901: 5: C major: Sinfonia Svastika: Swastika Symphony: 1919: While the Swastika is often associated with the Nazis, at the time the symphony was written the Swastika was a common symbol of good luck, or even a religious symbol. By the time this symphony was written the Nazi Movement had not begun 6: Skjoldungeæt: The ...
Although A-flat major was chosen often enough for inner movements of symphonies in other keys (most notably slow movements of C minor symphonies), there are very few symphonies with A-flat major as their main key. Edward Elgar. Symphony No. 1, Op. 55 (1908) Jef van Hoof. Symphony No. 2 (1941) Johann Baptist Wanhal. Symphony in A-flat major ...
The conductor Kenneth Woods describes it as "the funniest and most modern work" on his list of top twenty C-major symphonies, and "possibly the funniest and most modern symphony ever written", going on to say that "Haydn uses most of the 20th-century 'isms' in this piece—surrealism, absurdism, modernism, poly-stylism, and hops effortlessly between tightly integrated symphonic argument and ...