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The company began marketing the mesh-head triggers under the "V-Drums" name in 1997, in conjunction with the TD-10 drum module. [3] Most Roland mesh-head V-Drums have a playable rim which have their own electronic sensors (and corresponding sounds) - exceptions being the PD-100, PD-80, and mesh head drums on the HD series of kits, which only ...
The Roland DDR-30 has 6-voices: a bass, a snare, and four toms. Each voice has four 12-bit PCM digital sampled sounds. [1] These sounds can be modified by 16 parameters, saved as drum patch presets, and combined into drum kits. The parameters are combined into edit groups, including Attack, Decay, Pitch, EQ, Bend, and Gate. [6]
The electronic drum (pad/triggering device) is usually sold as part of an electronic drum kit, consisting of a set of drum pads mounted on a stand or rack in a configuration similar to that of an acoustic drum kit layout, with rubberized (Roland, Yamaha, Alesis, for example) or specialized acoustic/electronic cymbals (e.g. Zildjian's "Gen 16 ...
Roland marketed it as an affordable alternative to the Linn LM-1, manufactured by Linn Electronics, which used samples of real drum kits. [10] The 808 sounded simplistic and synthetic by comparison; electronic music had yet to become mainstream and many musicians and producers wanted realistic-sounding drum machines.
This later device shares the control array and display of the DR-220, with the addition of a MIDI In port. The MkII version had access to 91 16-bit drum sounds, allowing the user to control parameters of each sample such as decay length and filtering. It had 64 preset patterns and room for 64 user-created patterns.
The R-8 Human Rhythm Composer is an electronic drum machine introduced in 1989 by Roland Corporation, using PCM voices. The R-8 features velocity- and pressure-sensitive trigger pads, and the ability to create loops of beats.
The R-5 Human Rhythm Composer is an electronic drum machine introduced in 1989 by Roland Corporation, using PCM voices. The R-5 features velocity- and pressure-sensitive trigger pads, and the ability to create loops of beats. The pads are assignable and can be user defined for different sounds and also for different amplitude and semi-tones ...
The first drum machine to use samples of real drum kits, the Linn LM-1, was introduced in 1980 and was adopted by rock and pop artists including Prince [2] and Michael Jackson. [3] In the late 1990s, software emulations began to overtake the popularity of physical drum machines housed in a separate plastic or metal chassis.
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