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Nineteen Eighty-Four (stylized as 1984) is a 1984 dystopian film written and directed by Michael Radford, based upon George Orwell's 1949 novel.Starring John Hurt, Richard Burton, Suzanna Hamilton, and Cyril Cusack, the film follows the life of Winston Smith (Hurt), a low-ranking civil servant in a war-torn London ruled by Oceania, a totalitarian superstate. [6]
1984 is a 1956 British black-and-white science fiction film, based on the 1949 novel Nineteen Eighty-Four by George Orwell, depicting a totalitarian future of a dystopian [3] society. The film followed a previous Westinghouse Studio One adaptation and a BBC-TV made-for-TV adaptation .
Big Brother is a character and symbol in George Orwell's dystopian 1949 novel Nineteen Eighty-Four.He is ostensibly the leader of Oceania, a totalitarian state wherein the ruling party, Ingsoc, wields total power "for its own sake" over the inhabitants.
Winston Smith is a fictional character and the protagonist of George Orwell's dystopian 1949 novel also being born in 1945-46 according to the book Nineteen Eighty-Four.The character was employed by Orwell as an everyman in the setting of the novel, a "central eye ...
The music video was released in February 1984. [11] A No. 1 MTV video for several weeks, MTV ranked it as No. 4 four in its 1984 year-end top 20 video countdown. [24] Gary LeMel, music supervisor at Columbia, felt the music video on MTV increased Against All Odds' box office takings by at least US$5 million. [23]
Coats was the mayor of Oklahoma City, and the lawyer who in 1984 successfully argued before the Supreme Court that the NCAA’s control of football television rights violated federal antitrust law.
The author of The Butterfly and the Flame Dana De Young, references that 1984 as an influence on her writings. In addition to being dystopian literature, The Butterfly and the Flame features several subtle homages to Orwell's work. One of the main characters, Julia La Rouche, was named after Julia in 1984. Aaron and Emily La Rouche stay in a ...
One reason to be happy that this perfectly ordinary folk-pop ditty won record and song of the year: the opportunity it gave Ol’ Dirty Bastard to interrupt Colvin’s song of the year speech to ...