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The Punjai Siva Temple, or Naltunai Ishvaram Temple, is a Hindu temple located at Punjai near Semponnarkoil. [1] The principal deity is Nataraja , a form of the Hindu god Shiva . [ 2 ]
Nataraja is a significant visual interpretation of Brahman and a dance posture of Shiva. The details in the Nataraja artwork have attracted commentaries and secondary literature such as poems detailing its theological significance. [19] [24] It is one of the widely studied and supreme illustrations of Hindu art from the medieval era. [45] [46]
Nataraja is the aspect of Shiva "whose ecstatic dance of destruction lays the foundation for the creation and sustenance of the universe." [ 6 ] The significance of the image of the dancing Shiva is indicated by his gestures: he is depicted with four arms, standing on Avidya , the demon of ignorance.
The sage Agastya, at Shiva's request, proceeded southward to stabilize the balance of the earth, and relieve the instability caused by the multitude of entities at Shiva's and Parvati's wedding in the Himalayas, to wait for a glimpse of the divine couple. There he is said to have created the Shivalingam here by shrinking an image of Vishnu ...
Chola dynasty statue depicting Shiva dancing as Nataraja (Los Angeles County Museum of Art) The depiction of Shiva as Nataraja (Sanskrit नटराज; Naṭarāja) is a form (mūrti) of Shiva as "Lord of Dance". [278] [279] The names Nartaka ("dancer") and Nityanarta ("eternal dancer") appear in the Shiva Sahasranama. [280]
Umamaheshvara is depicted as the divine couple of Shiva and Parvati following their wedding. Nataraja: Nataraja is depicted as the form of the deity who is regarded to be the king of the dance. Tripurantaka: Tripurantaka is depicted as the form of the deity that destroyed the three asura cities of Tripura. Jalandharari
Nandanar visited many temples of Shiva and served the god. Once, he longed to visit the Thillai Nataraja Temple of Chidambaram, which enshrines Shiva as Nataraja, the Lord of Dance. He used to say everyday that he will go the next day to Chidambaram, but never actually dared to step in the holy town, where he was prohibited entry.
An image of Shiva in sthanaka posture is carved in high relief. On the front portion of the linga the god is standing on the shoulders of a figure of Apasmara, a dwarf who represents spiritual ignorance. [13] The figure of Shiva resembles a vigorous hunter; He holds a ram or antelope in his right hand and a small water pot in his left hand. [14]