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Motown TLX 2207 United States " The Feeling Is So Fine" " (You Can) Depend on Me" The Miracles: Tamla T 54028 United States October 1959 "My Beloved" "Sugar Daddy" The Satintones: Motown M-1000 United States "You Never Miss a Good Thing" "Hold Me Tight" / "Gotta Have Your Lovin'" Eugene Remus: Motown M-1001 United States November 1959 " The Hunch"
Hitsville USA: The Motown Singles Collection 1959–1971 is a 1992 four-CD collection of Motown hits, during Motown's golden age when the songs were recorded at its original Detroit studio. [1] The selections on this compilation were transferred from the original single mixes, which were mixed for AM radio play and 45 RPM singles.
Billboard Hot 100 & Best Sellers in Stores number-one singles by decade Before August 1958 1940–1949 1950–1958 After August 1958 1958–1969 1970–1979 1980–1989 1990–1999 2000–2009 2010–2019 2020–2029 US Singles Chart Billboard magazine The Billboard Hot 100 chart is the main song chart of the American music industry and is updated every week by the Billboard magazine. During ...
Twenty of Motown's greatest hits filled 1,400 seats at each of three of Cape Symphony's pops concerts: 'My Guy,' 'My Girl,' 'Endless Love' and more.
Motown was the most successful soul music label, with a net worth of $61 million. Between 1960 and 1969, Motown had 79 songs reach the top-ten of the Billboard Hot 100. In March 1965, Berry Gordy and Dave Godin agreed to license the Tamla Motown label name for future UK releases through EMI Records Limited.
TheGrio counts down the greatest albums ever released by artists from Motown Records. This August, two legendary albums, Stevie Wonder’s The post Top 10 Motown albums of all time appeared first ...
Written and produced by Motown's main production team, Holland–Dozier–Holland, [3] the song is one of the most widely-known Motown hits of the 1960s and is today considered the Four Tops' signature song.
Rock music during the 60s was still largely sung in English, but some bands like Los Mac's and others mentioned above used Spanish for their songs as well. [78] During the 1960s, most of the music produced in Mexico consisted on Spanish-language versions of English-language rock-and-roll hits.