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One octave lower than 5-string bluegrass banjo. Banjo, contrabass: 3 strings 3 courses. Standard/common: E 1 A 1 D 2. Alternates: D 1 G 1 C 2; D 1 A 1 D 2; C 1 G 1 C 2; US Essentially in the same range as the bass banjo, but with a much larger resonator. These instruments are very rare, and tuning is not standardized. [6] [7] Banjo (5-string) 5 ...
G, C, E, A (the G string is higher than the C and E, and two half steps below the A string, known as reentrant tuning) 5-string banjo: G, D, G, B, D (another reentrant tuning, with the short 5th string tuned an octave above the 3rd string) cavaquinho: D, G, B, D (standard Brazilian tuning)
The modern five-string banjo is a variation on Sweeney's original design. The fifth string is usually the same gauge as the first, but starts from the fifth fret, three-quarters the length of the other strings. This lets the string be tuned to a higher open pitch than possible for the full-length strings.
The fifth string on the five string banjo, called the thumb string, also called the "drone string", is five frets shorter than the other four and is normally tuned higher than any of the other four, giving a re-entrant tuning such as the bluegrass G 4-D 3-G 3-B 3-D 4. The five string banjo is particularly used in bluegrass music and old-time music.
All-fifths tuning has the set of open strings C-G-d-a-e'-b' or G'-D-A-e-b-f ♯ ', which have intervals of 3 octaves minus a half-step between the lowest and highest string. The conventional tuning has an interval of 2 octaves between lowest and highest string. All-fifths tuning is a tuning in intervals of perfect fifths like that of a mandolin ...
The first to enter real production was the five-string cello banjo, tuned one octave below a five-string banjo. This was followed by a four-string cello banjo, tuned CGDA in the same range as a cello or mandocello, and modified upright bass versions tuned EADG. More recently, true bass banjos, tuned EADG and played in conventional horizontal ...
The Keith style of playing the 5-string banjo emphasizes the melody of the song. Also known as the "Melodic" or "Chromatic style", it was first developed and popularized independently by Bobby Thompson and Bill Keith in the early 1960s.
Also, the tuning given is for a very specific kind of 4-string banjo, the tenor--I've corrected that in the caption, at least. (Just "4-string" implies the plectrum banjo, which is tuned the same as the 5-string, minus the short 5th string). Another problem with the image is the label "playing range".
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