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This list follows the chronology of original (typically Spanish-language) publication in books, based in part on the rather comprehensive (but incomplete) bibliography online at the Borges Center (originally the J. L. Borges Center for Studies & Documentation at the University of Aarhus, then at the University of Iowa, now—as of 2010—at the University of Pittsburgh).
Labyrinths (1962, 1964, 1970, 1983) is a collection of short stories and essays by Argentine writer and poet Jorge Luis Borges.It was translated into English, published soon after Borges won the International Publishers' Prize with Samuel Beckett.
"The Library of Babel" was originally written by Borges in 1941, [3] based on an earlier essay he had published in 1939 while working as a librarian. [4] It concerns a fictional library containing every possible book of a certain fixed length, over a 25-symbol alphabet (which, including spacing and punctuation, is sufficient for the Spanish language). [5]
Borges' fictitious writer Nils Runeberg presents to the world three versions of Judas Iscariot using his two books.. In the first version of Kristus och Judas, Runeberg says that it was Judas who was the reflection of Jesus in the human world, and as Jesus was our savior sent from heaven, Judas took up the onus of being the human who led Jesus down the path of redemption.
Pages in category "Short story collections by Jorge Luis Borges" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes .
The Book of Fantasy is the English translation of Antología de la literatura fantástica, an anthology of approximately 81 fantastic short stories, fragments, excerpts, and poems edited by Jorge Luis Borges, Adolfo Bioy Casares, and Silvina Ocampo. It was first published in Argentina in 1940, and revised in 1965 and 1976.
Pages in category "Short stories by Jorge Luis Borges" The following 43 pages are in this category, out of 43 total. This list may not reflect recent changes .
In his preface to the 1954 edition, Borges distanced himself somewhat from the book, which he gave as an example of the baroque, "when art flaunts and squanders its resources"; he wrote that the stories are "the irresponsible sport of a shy sort of man who could not bring himself to write short stories, and so amused himself by changing and ...
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